In a movie, it's much easier to be free. I came up with the name 'Kid In The Front Row' on a whim. But I think it expresses everything I feel about the cinema.
If I'm standing outside a fascinating old building with a 'Do Not Enter' sign, I don't want to obey it. I want to cross the line, I want to explore, and it's possible I will. But I'll feel guilty if I do, and I'll look over my back, convinced a security guy or policeman will make it a nightmare.
But when I write a screenplay, or film a scene, the characters can walk straight past that sign with ease.
'Do Not Enter' is everywhere. Don't enter that derelict building, don't enter into a relationship, don't enter into the film industry.
We go after the safe options. It's as if all of human experience has led us to a place of fear, where making a decision based on heart, or curiosity or hope is seen as absurd. Tell the person next to you that you want to go explore a haunted house, or you want to go explore Romania on your own, you'll meet resistance. People who know better. People who know the answers.
Movies are different. People stretch those boundaries, and they change. The best movies are about people who dare to risk, dare to love, dare to break out of the rules that society and the law placed down so pointlessly.
The other side of the no entry sign is where all the fun is. It's where life happens. For the most part, our fictional counterparts do it better than we do. And we get older, and less bolder, and satisfaction remains amiss.
Just a thought.