Saturday 25 June 2011

Finding Yourself As An Artist and Surpassing Blocks and Disturbances

Your agent is sitting on his ass. Your producer is strangling your creativity. Your co-writer is making negative remarks about your dialogue. 

Regardless of your success levels, everyone has these problems. The problem is that these issues come home with you, they eat away at your energy, they affect your life and creativity in a big way. Too often we forget about the dreaming behind our creativity and focus too much on the disturbances. 

Your dreams and aspirations are the guiding principle behind why you are an artist. It's important to get in touch with them as often as you can, because they really help keep you on the right path. 

We all have peak experiences -- when we are firing on all cylinders, and nothing can stop us. We feel happier, lighter, and our artistic selves are prospering. And there are other times when we're refusing to get out of bed, we tell everyone we're thinking of quitting, and we convince ourselves that we're talentless and that our work is embarrassing. 

Focus on your peak experiences. Can you remember a time when you felt fully alive and full of possibilities? FOCUS on that experience. Fully bring it alive in your memory. Stop reading for a second, and truly visualise it. 

Where were you? Who was there? How did you talk to people? Did it feel like there was a presence or a force supporting you? (Call it God, call it a good caffeine rush, whatever it was, for you). If you are able to strongly visualise this pleasing memory, it will make you feel good, you'll get some of those feelings back.

I have had many of these experiences. Many of them are from when I was a teenager and began making films. I was full of possibilities, extremely experimental, and everything made sense every time I wrote on a page, or pointed a camera at actors. 

Another time was in New York a few years ago. I felt super-powered. Like New York is my spiritual home and the world wanted me to be there. I would walk out of the apartment I was staying in and within five minutes I'd make a new friend, a new creative soulmate, it seemed to happen nearly every day. It was a magic time; the world seemed to work for me in every way. 
When was your peak experience? How did it make you feel? 

When you feel that you are fully in that experience, that you are not only remembering it but you are feeling some of its essence in you now --- how can you use that feeling in your work right now, today? Does that energy help you overcome some of the blocks and resistance you have been feeling? 

Let me know how it goes. 

What we have a tendency to do, is focus our energies on the roadblocks, whether they are external problems (i.e. investors, landlords, YouTube comments) or internal (lack of confidence, second-guessing, depression). This exercise is to help you get back some positive energy, by focusing on the dreaming processes that shape who you are as an artist, and what your goals and intentions are).

As a way of ending the exercise; it is good to write down a few words about yourself and your work, and the dreaming behind it. For example, I could write, "I have always strongly related to the work of writer/directors like Chaplin, Wilder, and Woody Allen, whose work as artists created meaning for themselves and the world around them. I believe that art lives forever and that my dream is to create work that will last, that will cheer people up and brighten their days for a long time to come."

Don't allow yourself to be critical or embarrassed about what you write, because it's a part of you and it's important to bring it out in you. An actress friend of mine yesterday was telling me about how she wants to work with disabled people to help give them a voice by using drama, another friend of mine was telling me a few days back about how books helped him understand the world when he was a kid, in a way that nothing else ever had -- and he wants to be an author so that he can bring that same feeling to future generations. 

Our dreams are important. When we fully access them, own them, and believe in them, we are able to step forward with more purpose and confidence. 

Care to share?

Friday 24 June 2011

KRISTEN WIIG In BRIDESMAIDS

Believe the hype. The film is great.

Kristen Wiig steals the show. It is her show. She deserves it. Undeniably one of the most talented actresses and naturally gifted comedians in the business; this film showcases everything about her that is awesome.


And she's not just funny. She pulls at your heart in this movie. There are times when she communicates giant pangs of loneliness or intense and heartbreaking vulnerability -- and she's able to do it with just a look. A moment.

That's what great acting is, capturing a moment. The best actors can do it in a millisecond by doing something or making a decision to not do something. It's like Tom Hanks in 'The Green Mile' when he's listening to John Coffey through the prison cell. He just sits and listens, but somehow he also communicates pretty much every emotion known to man. I'm exaggerating, but only slightly. Great acting is when they make it look simple. They turn nothing into everything.

Wiig is beautiful, too. Not beautiful in the way that all the women in the movies are. Just beautiful in the way that women are beautiful. She's real. It's so much more interesting than looking at Megan Fox bouncing around in Transformers. I'm aware that women's looks always get mentioned when they're acting; I never review a Kevin Spacey film and then talk about his looks. But I guess my point here is --- in this film, and not just with Wiig, but with all of them -- they seem real. I can relate to them. They don't look like some insane and unrealistic 'dream girl'. And as a result, the women in 'Bridesmaids' are more appealing.

There are moments when Wiig will break your heart in this movie. There are times when she's jealous, resentful, lonely; in fact-- for most of the film, she is really lonely.



Yet she's also hilarious. Truthful pangs of loneliness but with big laughs. That's not easy to do. You just have to see her in this movie.

Care to share?

Thursday 23 June 2011

WHO'S ON FIRST? Great Comedy Lives Forever


This is an Abbott and Costello sketch from the 1940's. It doesn't get much better than this. Take the time to watch it, it'll be worth it! This is what comedy should be like. 

Care to share?

Tuesday 21 June 2011

SENNA, Again

I went to see "Point Blank" today. Two screens away, in the same cinema, my friend Nora was watching "Senna".

A few hours before that I was having breakfast with Nora in a cafe just west of Covent Garden. We were meant to be talking about a project we're doing, but instead I kept talking about 'Senna'. I demanded she see it. She agreed to do so. We left the cafe and we walked directly to the cinema (Cineworld on Haymarket). I'd already made plans to see "Point Blank" with Marcus, a fellow film director, so was unable to join her for the experience.

My review of Point Black: It's decent, cool, it's like all the other movies. But it's not the reason we love cinema.

"Senna" is the reason. It's a life-changer. It's one of those that takes over your mind and shapes your thoughts for the next five days. 

Nora was gone by the time my movie finished. So I text her, "how was it?".

Here's her response:

"Brilliant. It was brilliant. Sort of dazed out right now, but thank you; well glad I went!"

And she didn't even know who Senna was. She doesn't like motor racing.




'Point Blank' finished and Marcus and myself were soon in Cafe Nero. We talked about Ayrton Senna. We talked about how great he was, we talked about how the film was edited. We talked about Alain Prost. Turns out Marcus saw Senna racing in Monaco in the early 90's. Marcus was just a kid then, but he felt the magic. Everyone wanted Senna to win, he had that something. 

Brazil had a three day mourning period when Ayrton Senna died. That's how much he meant to people. One man who races cars can really change the world for the better. 

One person can do anything. That's what this film shows us. You've just got to show up and dedicate yourself, become an expert in whatever you're passionate about.

They always take the geniuses away from us when they're young. Ayrton Senna, 34, Tupac, 25, Martin Luther King 39 , Bill Hicks 32. Maybe its meant to be that way. You can dribble on till you're 98 but it doesn't mean you'll mean anything. Senna did more in 34 years than most of us do in a lifetime. He put a sport into the consciousness of the world, 
became a Brazilian hero, and left his impact on the world stage.

When people are good, they're good. When they're great, they're inspiring. When they get even better, they transcend. Chaplin became more than a tramp, The Beatles became more than rock stars, and Senna was more than a racing driver. 'Senna' documents that. It shows us someone crossing over into greatness, becoming one of the Gods.





People like Ayrton Senna don't come along very often. Give him two hours of your time, go see the documentary. 

Care to share?

Monday 20 June 2011

SENNA

"I was already on pole, and I just kept going. Suddenly I was nearly two seconds faster than anybody else, including my team mate with the same car. And suddenly I realised that I was no longer driving the car consciously. I was driving it by a kind of instinct, only I was in a different dimension. It was like I was in a tunnel."


I cannot put into words how I feel about this documentary. Ayrton Senna is more than just a man who drove cars. Go watch it. It'll inspire you. It'll break your heart. And it will change your life a little.

Care to share?