Thursday 26 August 2010

A Way To Shoot Anywhere With No Permission - For Free!

This always works! Whether you turn up with just a camera, or with an eight person crew. Here's what you do.

1) Shoot scenes ANYWHERE YOU WANT.

2) Cheerily begin conversation with the man who comes up to you demanding you stop filming.

3) Give him this PRECISE explanation. "This is actually a test shoot. We're thinking of filming here, and paying of course, so we just want to test how it looks."

Madly enough, this explanation works! The person thinks "oh, that makes sense; you need to check if the location is appropriate," and they let you carry on. I discovered this many years ago, and it has worked for me every time. If they say "So why do you have a make-up artist and sound guy?" you just tell them "Well we need to know if the sound here is viable, and we the make-up artist needs to get an idea of the lighting."

People always buy this! So when someone asks you what you're filming; tell them you're not, you're just location scouting with your crew. Perfect.

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Tuesday 24 August 2010

A Small Example Of Typecasting.

From an email conversation today.

Actor: "Looking forward to getting randomly killed. Again."

Me: "Hahahaha! I always make rom-coms but when I kill people I always call on you!"


I'm off to shoot some stuff. I'll be back after the weekend, when I will share the story of how everything went smoothly with absolutely no problems at all. That's the plan.

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Freelancing - How Much Should You Charge?

"How much are you looking for?" says the scary person on the other end of the phone. You get into an absolute panic. Should I work for free? Maybe just charge a little, like 50? But wait, Bryan got paid 400 a day for his job. I think I'm worth at least 300. But maybe their whole budget is 300? I'm confused???

"Hello? Are you there? How much are you looking for?" repeats the scary woman.
"Well uh, y'know," you say, hoping she'll respond with "oooh, you want 600 a day? Sure!"

How much should you charge? How much are you worth? How much do they have? What is the most you could get? How much would others get? How much is too much? How much is so little that they assume you're an amateur?

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Sunday 22 August 2010

Let's All Remember The True Meaning Of Sunday

As most of you will know, Sunday is an important day for billions of people all around the world. That's right, Sunday is traditionally known through many cultures as the day of the movies. Whenever possible, it is important to rest on a Sunday and watch as many films as possible. This will make sure that you are adequately rested, refreshed and inspired for the week ahead.

Today I managed to watch four films. I have provided a screenshot of each film. If you think you can identify each film then email me your answers ASAP. On Monday morning I will be selecting a correct entrant at random - who will be sent SHAWSHANK REDEMPTION on DVD.

Please send your answers to the email address below. Even if you only recognize two or three of the films, feel free to enter; as people don't always get these things right.

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Saturday 21 August 2010

HANGING UP - Walter Matthau's Perfect Swansong

Angie, did l ever tell you about the time l got a gun from John Wayne?
No.
Pat and I wrote a picture for him called Luck Runs Out.
Oh.
Yeah, he was a very nice guy. They say that he had a very small pecker.... but that didn't keep him from being a real He-Man.

The trailer for 'Hanging Up' would have you believe that the film is a lightweight chick-flick; something for the girl's to sit around watching and laughing as Meg Ryan runs around comically whilst phoning her sisters. This is certainly an element of the movie, but it's only one element, and there is actually a lot more that the film has to offer.

I always think of 'Hanging Up' as a Nora Ephron film, but in fact; it was directed by Diane Keaton. Let's first begin by figuring out who did what:

Originally, it was a book, by Delia Ephron.
The screenplay is by Delia Ephron and Nora Ephron.
It's directed by Diane Keaton, who is also a star of the film.
It's produced by Nora Ephron.
And Executive Produced by Delia Ephron.

So who did what, exactly, and how? We'll never know. Anyway:

Eve (Meg Ryan) has to deal with her Father, Lou (Walter Matthau) who is in hospital, and dying. Her sister's Maddie (Lisa Kudrow) and Georgia (Diane Keaton) are too busy with their self-absorbed lives to deal with the fact their Father is coming to the end of his life. Everything is left to Eve to cope with.

Despite Meg Ryan's character taking the brunt of the responsibility, Lou is always asking after his other daughters; painfully unaware of how they are not there for him. To make things even more complex, Eve's husband is constantly insisting that she should have nothing to do with her Dad because he is a selfish drunk who's caused her a lot of pain.

The film is sad, yet hopeful, complex, yet simple, funny, yet sad again -- in fact; it's very real. It's something that a lot of people will relate to. Meg Ryan shines in the film in one of her best performances-- mixing the adorable comedic style she has made her own, along with some subtle, moving moments.

But the real magic comes from Walter Matthau. This film was released in 2000, the year he died-- which made and makes this film even more poignant. Matthau is absolutely delightful in the film --- playing a role that is hilariously funny, as he obsesses constantly over "John Wayne's pecker;" but is also tinged with sadness as it's clear the character is losing his memory. There are also some very emotional and dramatic scenes that show how capable Matthau was as an actor.

If you've ever had to take on a lot of responsibility when those around you won't take accountability for everything that's going on, then you'll relate to this film. Her sisters don't hear her, her Father keeps forgetting who she is, and her Mother doesn't want anything to do with the situation. This isn't a typical Meg Ryan film, and it isn't a typical Ephron film. It's something personal, a truthful roller-coaster about life, death, and siblings.

I strongly recommend it. There are not enough films like this.

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charlie

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Friday 20 August 2010

'HUKKLE' is a truly unique and mesmerizing movie.

HUKKLE (HICCUP in English) is a Hungarian movie, directed by György Pálfi that made virtually no sense to me - but I loved it. It's artistic, without being artsy-arthouse-bullshit, it's confusing without being pretentious or condescending, and it's simple and minimal without being.. well, without being pretentious artsy bullshit.
It was just extremely fascinating to watch. There is virtually no dialogue in the film, and no main character. The film follows the lives of a bunch of interesting looking people and a bunch of different animals in a small Hungarian village. The various animals and insects play as big a role as the human characters. HUKKLE is very short for a feature film, at only 78 minutes - and it flies by. Visually, it's extremely compelling. As a cinematic experience (well, DVDmatic) it was unique, exciting and um, unique again. I don't know how to explain it.

This film is definitely original, hugely captivating, oddly humorous and, ultimately, a real delight. Just don't ask me to explain what it was about. I recommend it, without being able to say exactly why.

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