I don't really care how much the latest superhero film took at the box office, although I'd probably know if you asked me. When I watch a film the main thing I am looking for is a good story. I like it when I look up at the big screen and can see a part of me staring back at me. More than anything, I am still looking for Jimmy Stewart and Jack Lemmon and Billy Wilder in every film I see.
Friday 9 October 2009
What projects are you working on?
1. What are you working on?
2. Why is it important to you?
Look forward to finding out.
Tuesday 6 October 2009
The Flames Of My Wasted Life.
I wasn't good at science. I wasn't much good at anything. But I did stay on to do 'A Levels.' But don't get excited-- I only stayed for two weeks. I don't even remember the subjects I chose. One of them was Media Studies, that thing where you sit there making stuff up like "The green coloring of Buzz Lightyear is a metaphor for the decay of society and is symbolic of aubergines." So, I knew deep inside that A Levels were not for me. And then everyone was saying, "well, you gotta get a job, you gotta earn some money, you gotta make a living." So I got a job as an office junior for a Quantity Surveying company. I didn't know what Quantity Surveying was (I still don't), but I forged ahead with my little job and the most depressing period of my life. Don't get me wrong, I've had years that were much tougher, where life really threw curve balls - but being 17 was tough because I had a terrible job, no goals, and nothing seemed to be on the horizon. And there were no girls. Well, I'm sure there were, just not in my life.
I remember in a very exact way that I went to a lot of gigs when I was 17. I guess it was a survival thing. Depressing, awful job by day, but gigs by night. I would love to pretend I was some cool rock kid, but I was seeing acts like Vonda Shepard, John Mayer, Ryan Adams, etc-- it was all Americana-ish, alt-rock blandity. But I don't mean to put it down - this is something I am learning to stand up for more, it's the music I love. I make no apologies. Anyways, the music became this incredibly important thing to me. It offered an alternative world to the one of moving boxes from storage space to storage space, and talking boring office talk to colleagues. I guess day by day it would build up and build up - my deep interest in music. I think I'm only realising the relevance of music to my life then, as I think about it now, many years later.
And then two things happened. One is because of Bruce Springsteen, and one is because of Counting Crows. But somewhere within those two events; the thing that was bubbling up finally came to fruition, the alchemy of my situation, my dreams, and my love for music. Here's how I remember it.
Bruce Springsteen announced a one off gig at Wembley Arena. And I guess I should tell you, I absolutely loved Bruce Springsteen. 'Thunder Road' was fast becoming my favorite song, and 'Born To Run' felt just like the bubbling, bubbling that'd been firing up inside of me. And 'Dancing In The Dark' was gaining in relevance.
So, I really wanted to go see The Boss live. But no-one would come with me. I asked all my friends. The collective response was, "the Born in the USA guy? No thanks." I made a very important decision. I decided to go by myself. Which shouldn't be a big deal, but for the lonely, worried little me, it was a big deal. It was confirmation that I was pathetic. This was supported by the build up to the event - culminating on me getting the train to the concert and feeling like a complete outsider. I didn't relate to my friends and I didn't really know why I was listening to Springsteen rather than, I dunno, whatever was popular at the time. So I was really miserable. I remember sitting in my seat, alone, at Wembley Arena. And I just felt--- so separated from everything, from everyone I knew. These things are so painful when you're 17.
And then Springsteen came on stage. And the music started.
What proceeded to happen was as near to a religious experience as I've ever had. I realized that I wasn't alone, I was with 12,000 of my closest friends. This wasn't just music, it a man who sang my dreams. His views on the world were the same as mine. There was a dream to be had and he was singin' it and chasin' it. I was truly transformed. I realized the reason I was there, at that gig, was because THAT WAS WHO I WAS. It is who I am. It is me. If everybody I knew who was going see Bruce Springsteen alone, and obsessing over his setlists and having this outrageously great experience, then I'd be just like everybody else. And being like everyone else wouldn't make me a very interesting writer. And it was like I GOT IT, right there, in that crap old tin of an arena.
For the same old played out scenes
I don't give a damn
For just the in betweens
Honey, I want the heart, I want the soul
I want control right now
Talk about a dream
Try to make it real
you wake up in the night
With a fear so real
Spend your life waiting
for a moment that just don't come
Well, don't waste your time waiting
Badlands, you gotta live it everyday
Let the broken hearts stand
As the price you've gotta pay
We'll keep pushin' till it's understood
and these badlands start treating us good
- Bruce Springsteen - Badlands
A week later; I was trying to figure out what that experience meant in relation to my career as a guy who re-alphabetizes an archiving system on a weekly basis. I remember very specifically being downstairs in the basement of the company I was working in. I was having a particularly hard time remembering the alphabet properly. Not because I'm dumb, but because I truly didn't give a shit.
Aside from Springsteen, my other obsession were Counting Crows. And this memory seems really cheesy now. But it happens to be true. I was down in the basement doing the archiving nonsense, moving 'N' nearer to 'B' and hiding 'L' just because I was a rebel. And the song 'A Murder Of One' by the Crows came into my head. And it really got a hold of me. I really began feeling the message of the song. I was enjoying it, it really felt alive. The words were really hitting me hard.
All your love is just a dream, dream, dream.
Open up your eyes.
You can see the flames, flames, flames of your wasted life.
You should be ashamed.
You don't wanna waste your life, now darlin.
You don't wanna waste your life, baby.
You don't wanna waste your life, now darlin.
Oh, you don't wanna waste your life, now baby.
I said you don't wanna waste your life, now darlin.
Oh, you don't wanna waste your life, now baby.
Oh, you don't wanna, you don't wanna waste your life, now darlin.
Change, change, change.
Change.Change.
Change.
- Counting Crows - A Murder Of One
It was the second of my transformations. It was so sudden. Shit, I really wish I had these epiphanies every day. It hit me that I am NOT an office junior, I am not someone who moves boxes around for a living. I had a burning desire in me to CHANGE. To be something. I fucking loved films; my obsessive watching them and thinking about them was for a reason. I couldn't deny it anymore, it was time to come out of the closet and declare, "I am a Writer! I am a Director!" - I didn't outwardly declare it like that, but I did tell myself, it was time to be confident in who I really was and to make it my life.
I handed in my resignation on a Tuesday. By the Friday, I was gone. And now I'm the Kid In The Front Row.
It takes a leap of faith to get things going
It takes a leap of faith you gotta show some guts
It takes a leap of faith to get things going
In your heart you must trust
Bruce Springsteen - Leap Of Faith
Sunday 4 October 2009
Please Watch! Ken Robinson On Creativity.
Saturday 3 October 2009
A Lack Of Self-Confidence, And What We're Going To Do About It.
I have a lot of friends who are actors, and every single one of them has this same process at work. On the one hand, they've done all the courses and gone to all the auditions; they're like a powerhouse of ambition and self-belief. But there is also the flip side to this-- a deep insecurity; something telling you you're not quite good enough for the role, or that you're not quite ready. Strangely, sometimes as an actor you DO get the role. And then the actor feels like they've cheated the system. They're just worried that one day somebody will figure out that they weren't supposed to be there.
This is something we can all do, starting today. Build a new relationship with the thing that zaps at your confidence. For me, next time I have a meeting or interview; instead of nerves or feelings of lack, I'm going to have new found perservence and definiteness, something that was always in me. Afterall, who the FUCK is my inner critic? Why am I taking him so seriously? Why do I believe him? What gives me the right to talk to me in that way? I know what I am doing with my creativity; of that I am sure, and I am going to perservere. And this new certainty has come from engaging with my inner critic, and learning from it. When something is part of you, you can either fight it, or learn from it and work with it. The same goes for external systems, like producers, film studios, script analysts, etc! Fix the thing inside yourself, and then you're going to do much better out there. I'd love to know your thoughts.