I don't really care how much the latest superhero film took at the box office, although I'd probably know if you asked me. When I watch a film the main thing I am looking for is a good story. I like it when I look up at the big screen and can see a part of me staring back at me. More than anything, I am still looking for Jimmy Stewart and Jack Lemmon and Billy Wilder in every film I see.
Tuesday, 27 April 2010
Facebook Fan Page
I will be scrapping the Google Follow function on this site soon and introducing an email subscription service instead. However, in terms of communication between readers and contributors (i.e guest writers, other bloggers), the page is becoming a great way to keep in touch.
Please join and invite some friends too (using the 'suggest to friends' function).
Join the page here:
Kid In The Front Row Fan Page
Thanks :)
Monday, 26 April 2010
Reflecting On Auschwitz

It's very easy to label it as something that happened to 'The Jews', because of 'Those Nazi's' -- it's far less comfortable to realize, they were both ordinary humans on both sides. Over 7000 people worked at Auschwitz. That's 7000 people who were implicit in the killings. Less than a thousand of those stood trial after the war. 6000 of them got away with their crimes, and many of them are probably still alive today. God may deal with them further down the line. If not, they've gone unpunished and they are free to do as they please.
Auschwitz is a strange place to visit. Weirdly, it's surprisingly unemotional. You stroll around; seeing unimaginably horrific things; gas chambers, thousands of dead people's shoes, little children's clothes, etc--- but it doesn't quite hit you in the emotional way you might expect. At least, this is how it has been for me and the various people I have visited the camps with. It's impossible to fathom the grand scale of what took place. The main emotion I feel walking around Auschwitz is one of bemusement. One of 'Jesus--- this place is so fucking big! How??? How can people do this?'

Auschwitz-Birkenau is the second part of Auschwitz. Built mid-war with the sole purpose of mass extermination. Thousands would arrive by train and most of them would be transported directly to the gas chambers. When I watch movies and documentaries about these events, it's emotional-- you get the haunting music and close ups. But actually at the site, i feel more of a general bewilderment. All that's left are bricks and rubble and barbed wire--- on a giant scale. An incredibly giant scale. And it makes no sense-- that what happened could have happened. The bewilderment does turn into emotion, but it's one I can't explain very well.

I read in the New York Times that there's been an election in Austria in the last week. 15% of the electorate voted for a candidate who denies the Holocaust ever happened. That's 15% who happily and freely voted for her, so I'm assuming many more thought about voting for her. And this is what concerns me, about our world-- do we ever learn? is the killing of six million Jews not enough?

Despite what I'm saying, for me; it isn't really about Jews or Germans or Austrians or Jamaicans or Swedes or any particular group - the Holocaust was and is about human beings. In nearly every country in the world, bubbling just below the surface; are the seeds of another catastrophy. In the UK, we have a political group who have members who deny the Holocaust ever happened. It's disgusting but what do you do? Our tendency is to ridicule them, to find ways to make them not exist or be heard. It's like we want to fight oppression with oppression, and in the process we create more marginalized and under-represented groups, and it's those groups who get pushed to the extremes.
I find myself trying to comprehend what happened by looking more closely at myself. Who is the person inside of me who oppresses others? Could I have done what the Nazi's did? I feel there is NO WAY I could follow orders and kill others, I'd rather shoot myself or get killed. But I am also very aware that the people who committed these atrocities were just people -- people pushed to the extremes of killing on a mass scale. The incredibly large amount of people who knew about, and didn't do anything about the Holocaust is mind-boggling.

Tonight, I ate in a restaurant in Kazimierz, wondering what it should really look like here. Wondering and dreaming about the 60,000 Jews of Krakow who were closer to 1,000 by the end of World War 2. This is a part of history that continually upsets, fascinates and confuses me. And despite people moaning about how the Holocaust gets mentioned too often, I still think it's many stories and truths need to be unravelled and processed, rather than pushed over and forgotten. There are still questions to be asked, lessons to learn. By doing so, I can only hope - we will one day really learn how to love one another. Because we've tried hating for long enough.
Sunday, 25 April 2010
Off Plus Camera 2010: International Festival Of Independent Cinema.

Then you need to head up the steps of a fascinating old building.

You head up a variety of staircases, feeling like you've trespassed somewhere by mistake.

And finally, at last, you see a screen and know a movie is about to commence.

This is the Off Plus Camera 2010 International Festival Of Independent Cinema, in Krakow, Poland, and it ends today.

Saturday, 24 April 2010
Ten Movie Facts About Me
Film blogger Danny King has passed the baton on to me - to tell you 'Ten Movie Facts About Me', and then I need to nominate two people to do the same. TheUmwashedMass and Mike Lippert, if you're reading, please carry this on.
I am currently in Poland, and blogging from an app on my iPhone, which explains why there are no hyperlinks, but hopefully the guy's mentioned here will post in the comments so you can find them.

So, ten movie facts about me.
1) I can't always watch movies. I can often get bored during them. There are people who can watch any movie, no matter how bad, all the way through: I am not one of them.
2) I think American screen actors are far superior to English.
3. I am always happy to watch 'You've Got Mail'
4. I find the whole Bruce Willis segment of Pulp Fiction really boring.
5. I have only recently begun sitting in the front row at the cinema, I like it.
6. I studied film for one week. I achieved two things, 1) I had to write a paper analysing a scene for metaphors and mise-en-scene and all that nonsense. I wrote sarcastically about a trivial scene from Jerry Maguire. I didn't stick around to find my grade for it. 2) I disagreed with the entire hall of people about the meaning of a silent film. It was a clip of someone walking across a road. The lecturer said it was made to represent class difference and was a metaphor for society at the time, I said it was a man crossing the street and if it was a metaphor for anything it was a metaphor for a man crossing the street and that the reason I think the director had him walking across the street was just because, at that time, at the birth of cinema, walking across a street, on screen, was very interesting.
I never saw any of these people again.
7. I rarely like French movies.
8. I often like Italian and Danish movies.
9. My directing style is not very visual. I don't like to distract from what the actors are doing.
10. I like going to see movies in other countries, in languages I don't understand. It forces me to concentrate in a different way and it's fascinating to see how different cultures respond to films.
Friday, 23 April 2010
One Role, 700 Applicants: How Can You Stand Out And How Can I Not Shoot Myself?
My Name is Blah. I am blah. I was lucky enough to train with the Blah Blah. I was also cast in Blah and flown to Blah because they think I am a talented Blah. I won the Blah of Blah in Blah. Blah Blah Blah.
Yours Sincerely,
Blahhead.
First of all: my name is not Julie. I am male. That was your first mistake. 40% of cover letters I receive that have names on them are not names that belong to me. If you're going to address me by name, use my name. Or you can say 'Dear Sir/Madam,' but if you do - I won't carry on reading.
If you have emailed me for every role I've cast for the past seven years - try not to send me the same covering letter. The one that says "I was recently invited to visit the Hollywood elite" didn't sound real seven years ago, it still doesn't now. Vary things up a bit.
Visiting my website is helpful. Knowing the name of a film I've done is helpful. Anything that remotely shows you care is helpful. Say, for example, you wanted to write for the Kid In The Front Row blog; saying "I love Billy Wilder too, he is such an inspiration!" is going to interest me more than "Dear Sir/Madam, I have a lot of writing experience and I feel I am enthusiastic and able to bring expertise to your blog." Same goes for casting; I don't want to cast a robot, I want to cast a human being; so I give preference to those who are show signs of being one.
Tell me what you're passionate about. Tell me why you love movies. Tell me why you're interested in this movie. "I do not normally do low-budget work, but yours could be interesting" is not particularly endearing, "You are making a film about pigeons and I LOVE pigeons" is more interesting. Unless the film isn't about pigeons, in which case you'd look weird.
If you were that woman across the road looking at sunglasses, partially out of shot and partially blocked in the frame by an Asian man in the eleventh scene in the film 'Phone Booth,' don't put that on your Resume. You were an extra. A cellphone shot of you and Colin Farrell in the background isn't convincing of anything, either.
It's great that you are enthusiastic, hard-working and reliable. So is everyone. Maybe find some different words. I want to know you can do different things on set, too. So maybe instead of those things; maybe you are industrious, courageous, and spontaneous. Or maybe you are controlled, decisive, and determined. Or maybe you are excited by ideas, drawn to originality and inspired by collaboration. Whatever it is that you really are, figure it out and put it in your cover letter. But take out enthusiastic. Everyone says they are enthusiastic.
Yes- headshots do matter and often I do make judgements made solely on them. That's the way it is. You're playing a character. If I'm casting a black woman called Renee, I have little use for a white girl called Sally. That's just how it is. If I want someone pretty, and you're not, that's how it is. If I want someone ugly, and you're not, that's the way it is. It's not personal. But by all means - let me know you have different headshots and let me know you have a lot of different styles/images/etc.
If I am casting a drug dealer; don't send me a headshot of you smiling and looking like Meg Ryan in a rom-com. If I am casting a rom-com, don't send me a headshot that looks like you're investigating a murder.
Don't send me fourteen emails. Really: DO NOT DO THAT. DO NOT EMAIL EVERY DAY. DO NOT DO THAT.
However, four days after you've applied; DO write back to say how excited you were by the project and how you're still really interested. The human mind forgets, and a gentle reminder always helps. I once hired a composer for a film because he wrote me a wonderful, personal second email.
Be yourself. Write something true. Be a human.
PHOEBE
No. They said you 'Weren't believable as a human being.'
So, you can work on that.
JOEY
Okay, what else?
PHOEBE
Um, the off-Broadway play people said 'You were
pretty but dumb'.
JOEY
Oh.
PHOEBE
Oh no wait, I'm sorry, that's 'pretty dumb.'