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Thursday 19 August 2010

Acting Competition Winner - 'Get Out' by ERIC GEYNES and LAURA EVELYN

The competition was to create a scene, no longer than one minute in length, on the theme of 'leaving,' in only one shot. They were the rules; and it was down to actors to come together to create something original.

The winner is 'GET OUT' by Eric Geynes and Laura Evelyn. Please watch it before reading on:

Originally I had planned to get an established industry actor to judge which film is best -- but we only had a very very small amount of entries, far less than expected -- so I took on the judging responsibilities myself.

This film stood out far ahead of the rest. Here's why I think it was great:

First of all - doing anything in one single take is hard. A minute is a long time. Most of the films we watch barely go four seconds without cutting to another angle. These actors were able to hold my attention for the full minute. And although I'm judging based on acting, and not direction - it's worth mentioning how the scene was set-up because it aided the scene greatly. The way we're shoved into the corner of the room with only the door to look at really adds an element of humor.

There are two clear characters in this film. We really get to know them. This is hard to get right even when you're creating a ten minute short film. But here we clearly have a struggling actress who's annoying, desperate for a role, perhaps lightly insane - and we have a busy casting director who has no time for bad actresses/weird people. The scene is made interesting by two opposing character types who are both desperate to get something done: i.e. - she's desperate to keep getting back into the room, and he's desperate to get her the hell out of there.

Laura is hilarious in this: I love the smile she does eleven seconds into the film; and the physical humor of practically being crammed out of the door on the twenty three second mark.

The fact that Eric is so interesting on screen is actually quite surprising considering he has his back to camera for most of it. What I like about his performance is that he is always moving; always trying to get to the end of the meeting/scene/day -- it adds a real pace to the proceedings. He also moves swiftly, and naturally, between the subtle, small moments - like when he calls her a 'fucking nutter' and the bigger, crazier moments, when he is matching Laura's energy levels as he tries to kick her out of the room.

It's also worth mentioning the great writing. Well, I say writing but I imagine they improvised most of this. What I am getting at, is the structure. As a short scene, it raises the bar another level by the surprise at the end. First, he kicks her out for her terrible acting, secondly, he kicks her out after she comes back for her bag-- but it's the third moment that makes it hilarious; the hilarity of the fact she's left her shoes in there. Her shoes!? Even though this was down to a great concept, rather than the acting (although the acting was great throughout) it goes to show how actors look better when the time is taken to get good material.

ERIC GEYNES relocated from Toulouse to London in 2003 after a career in professional swimming. Eric has been busy; with roles in films such as CLASH OF THE TITANS and HEREAFTER. He is also a writer-director (which isn't surprising, given the elements that made up the film in this competition) and is currently in post-production on his second short film. You can view his spotlight here

LAURA EVELYN's recent theatre credits include A MIDSUMMER NIGHT'S DREAM and STIFFED!. Laura appeared in the feature films SCRATCH and POPULAR UNREST --- and she plays the lead role in the upcoming film WILBY PARK, which is a psychological-thriller due out later this year. You can view here spotlight details here

I recommend you visit their page's and watch their showreels. They are very talented and destined for great things. Exciting!


  1. Not discounting the short, it was entertaining, but something gave me this odd feeling they just shagged and she's being clingy. Don't ask.