I don't really care how much the latest superhero film took at the box office, although I'd probably know if you asked me. When I watch a film the main thing I am looking for is a good story. I like it when I look up at the big screen and can see a part of me staring back at me. More than anything, I am still looking for Jimmy Stewart and Jack Lemmon and Billy Wilder in every film I see.
I'm excited about the new Batman film. Who isn't? For some reason though, I'd yet to see the teaser trailer.
So a few days ago I went onto YouTube and started the video. It wasn't what I expected; some guy was driving a Volvo and talking about comfort and I realised this was going to be a terrible sequel. Then a button popped up asking me if I wanted to skip, which I did (in the garden), before returning to watch the rest of the video.
The trailer started making more sense after that because the smiley family in the Volvo were gone and instead everything was darker and people looked more grumpy.
It looked magnificent and I was totally excited, even more so when suddenly something at the bottom of the frame popped up offering me business class flights to Dubai. It said "Hurry up! Offer ends soon!" which immediately made me panic, as the video was ending in 19 seconds. Is this an interactive movie?
I snapped into action: I booked business class flights to Dubai. I had to save The Dark Knight.
This is what I love about movies. They're getting so realistic! I packed my bags and readied myself for the flight. I decided to return to YouTube one last time, just to check my mission again. To my surprise, I was given a new directive.
Get groceries delivered to my home? Was The Dark Knight going to deliver my order of chicken breast fillets? To be honest, I don't know, and have been baffled ever since.
Any advice on how to proceed would be warmly welcomed.
Best films? Personal favourites? I don't know what the criteria is, I just want you to join in. Use the comments section to share your five's, which I'm sure will be different to mine.
Hanks 5
1. Forrest Gump
2. Cast Away
3. Punchline
4. Saving Private Ryan
5. Apollo 13
Spielberg 5
1. Jaws
2. E.T.
3. Jurassic Park
4. Duel
5. Schindler's List
Sandler 5
1. Punch Drunk Love
2. Reign Over Me
3. Happy Gilmore
4. Big Daddy
5. Just Go With It
As artists I think we often get offended when people think of us as lightweights who don't do any work. Sure, society sees work as 9-5 and full of stress, but we put the work in too, in other ways, more than people realise.
But then again, sometimes we don't. The task for the day is as simple as "re-write two scenes and email the make-up artist", and somehow instead of doing that we spend the whole day reading news articles and tweeting self-help quotes about productivity.
The crazy thing is that, when I'm in a productive state of mind I knock those scenes and emails out before 8am, and then the productivity flows for the rest of the day. Days can end with half a screenplay written, an article published, two new blog posts, a freelance camera gig secured and in the evening I can read half of an inspiring book.
But most days aren't like that. At least they haven't been recently.
We all get discouraged. 99% of filmmaking is seeing your dreams fall apart. The energy is shrugging it off, getting up and striving forward. But you have to do it yourself.
Hard work is so important. But so often we're not doing hard work so much as we're folding under the strain of complacency and comfort and failure.
But you need an entrepreneurial spirit to succeed. You need goals each day and you need to make sure you knock 'em out the park. And it's a simple thing: I succeed more when I write than don't write, when I return business calls rather than 'like' Donna's new pictures on Facebook.
It's so obvious, I know, but somehow it's so easy to get lost in the lostness, when apathy and the internet and the Xbox rule.
I am acutely aware that life is short, but often I let the days pass by as if I'll live forever. And that won't do. Time is limited, I have work to do, a career to build further.
'Matchmaking Mayor' is a documentary by Czech director Erika Hníková, about a small community in Zemplínske Hámre, Slovakia. Jozef Gajdoš, the village-Mayor, is obsessed, to the point of near psychotic obsession, with the fact that the village is dying out because the residents are not marrying and having children. He takes things into his own hands, by preaching to the residents over the public PA system and by offering generous cash incentives for all couples who marry and have babies.
The plot is crazy, impossible to believe - which is all the more mad because it's completely true. In many ways, the film is wildly hilarious -- yet, underneath the humour and strangeness is a sadness. The characters in the film are alone. As much as the mayor tries to bring them together, the film is punctuated by shots of men and women choosing to not interact with each other. Perhaps the characters are fearful, perhaps they're content -- it's hard to say. The interesting thing is that, behind the fascinating characters and unusual social rituals, there are universal themes and patterns that nearly all of us can relate to.
"Violence interrupters have one goal in mind, to save a life."
Weird how things work out. Today I saw the new film from documentary filmmaker Steve James, "The Interrupters". You may remember his incredible documentary 'Hoop Dreams', which is widely regarded as one of the all time great documentaries.
'The Interrupters' is about gangs in Chicago. It's about violence interrupters, mostly former convicts, who go out on the street with the sole aim of stopping lives from being lost. The very brave Steve James put himself into the firing line and went out and documented their work.
I made the plans to see an advance screening earlier in the week, when everything was normal. And then London started burning, and disorder became a sudden and unexpected norm. And suddenly this film took on far more meaning for me than could have been anticipated.
Civil unrest is weird. If we have equilibrium, we always think things are okay. But tension and conflict will always bubble up at some point. This week it did. The young people of London are ruthlessly and disgustingly setting fire to our town. Small businesses are up in flame, historic buildings are burning down, and people's homes are vanishing. It all feels so senseless. It is senseless.
But it has a context. These things aren't random. If they were random, it would be ME looting and rioting. But it's not. You have to begin to ask why --- why those young people? What are their lives like? Steve James says that you can't ignore the socioeconomic context. You can't ignore the cuts. The lack of jobs. Everything has its context. And that doesn't condone a shooting, or a riot, but it does help explain it.
That's why 'The Interrupters' is great. It shows the reality of gangs in Chicago. They're not just gangsters who want to shoot each other up. They're people who get pushed around, who can't get work, who have nowhere to turn. The statistics about poverty in black communities in America is astonishing, and the divide in wealth between blacks and whites is bigger than it's been in 25 years. 'The Interrupters' shows us people trying to get on with their lives. Trying to survive in their own environment. That's why it's so riveting. We can easily find ourselves in the privileged position of being able to ignore these issues, of sweeping them aside -- or perhaps, more commonly, just being unaware.
This is a film that brings the issues front and centre.
We live in troubled times. 'The Interrupters' reminds us not to judge people until we've seen the full picture. Documentaries like this are important because they show us the truth, what's happening down on the ground, and it's not filtered through the eyes of news organizations with vested interests.
Additional points:
1) The key scene is one where, fresh out of jail, a young man returns to the scene of his crime a few years later, to apologise to the family for what he did.
And I think he expects them to accept his apology, which in the end they do -- but not before they explain to him in detail the effect he has had on their lives, and how it affects them still, every day.
It's the most powerful scene you'll see all year. Here's this boy who was in his mid-teens and pulled a gun on a family and thought only of himself. And now, years later, he sees it from their point of view.
Powerful.
2) I asked Steve James if he would ever follow up on 'Hoop Dreams'. I already knew the answer and he confirmed it. That ship has sailed. The boys are leading different lives now. The story is complete. He also mentioned that 'The Interrupters' seems like a bookend to that story.
3) One of the things that inspired 'The Interrupters' was that both of the families from 'Hoop Dreams' had tragic, senseless, crime-related deaths in the years proceeding the documentary's release. Steve wanted to dig further into that. There were important stories to tell.
4) This is only going to get a limited release theatrically. Try and catch it.
