Monday 18 January 2010
Saturday 16 January 2010
Film Industry Interviews
The good thing about working in film is that anything you want to do - has probably been done by someone else before. And that's why I love interviewing people in the industry. If there's something you want to achieve, there are people you can learn from who've been there and done it.
I try to mix technical questions, like "What camera did you use?" with more personal questions, like "What made you want to do this for a living?" --- and most importantly, I like to try and delve into that mysterious thing that makes some people succeed, and some people not. I think it was most clear in the recent interview with David Schneider. I asked him what people need to make it as a writer; and within a beat of me finishing the question he said "self belief." And it's true - ask someone who is struggling to make it and they'll probably have a tale of a lack of confidence or a feeling of 'not being ready.'
These are the interviews so far - and a lot more are lined up for the coming months. I hope you like them.
My first interview was one of my favourites - Jake Pushinsky, whose editing style in 'A Guide To Recognizing Your Saints" (my favourite film of the last decade) was original, raw and exciting. He's Dito Montiel's editor - as well as doing some fascinating projects like the Jazz documentary "Chops" and the film "Howl" which is premiering this year at Sundance.
Okay, I don't really know Aaron and it wasn't an interview, as such - but I got to ask him one question, and his answer was pretty amazing.
Noah is amazing - his knowledge of sound and passion for what he does is incredible, it's no wonder he's one of the most prolific sound guys in the industry.
One of my favourite comedic actors from Britain -- and someone with whom I share a lot of the same interests (namely, an obsession over Woody Allen films.) The interview is great because we spoke the same language and had many of the same ideas.
Joe's debut feature film is exactly the type of film I love. A small story with a lot of heart, shot in New York. What could be better than that? I got to meet Joe at the Big Apple Film Festival when 'How I Got Lost' closed the festival - but this interview was done a few months before that. A fascinating insight into what it is to direct a low-budget indie.
I try to mix technical questions, like "What camera did you use?" with more personal questions, like "What made you want to do this for a living?" --- and most importantly, I like to try and delve into that mysterious thing that makes some people succeed, and some people not. I think it was most clear in the recent interview with David Schneider. I asked him what people need to make it as a writer; and within a beat of me finishing the question he said "self belief." And it's true - ask someone who is struggling to make it and they'll probably have a tale of a lack of confidence or a feeling of 'not being ready.'
These are the interviews so far - and a lot more are lined up for the coming months. I hope you like them.
Jake Pushinsky
FILM EDITOR
"A Guide To Recognizing Your Saints"
"Fighting"
"Howl"
My first interview was one of my favourites - Jake Pushinsky, whose editing style in 'A Guide To Recognizing Your Saints" (my favourite film of the last decade) was original, raw and exciting. He's Dito Montiel's editor - as well as doing some fascinating projects like the Jazz documentary "Chops" and the film "Howl" which is premiering this year at Sundance.
Aaron Sorkin
SCREENWRITER
"A Few Good Men"
"The American President"
"The American President"
"The West Wing" (TV)
"Charlie Wilson's War"
Okay, I don't really know Aaron and it wasn't an interview, as such - but I got to ask him one question, and his answer was pretty amazing.
Noah Timan
SOUND MIXER
"Capote"
"Awake"
"Fantastic Mr. Fox"
Noah is amazing - his knowledge of sound and passion for what he does is incredible, it's no wonder he's one of the most prolific sound guys in the industry.
David Schneider
WRITER
"All The Queen's Men"
"Uncle Max" (TV)
ACTOR
"28 Days Later"
"I'm Alan Partridge" (TV)
Joe Leonard
WRITER/DIRECTOR
"How I Got Lost"
EDITOR
"Glee"
Joe's debut feature film is exactly the type of film I love. A small story with a lot of heart, shot in New York. What could be better than that? I got to meet Joe at the Big Apple Film Festival when 'How I Got Lost' closed the festival - but this interview was done a few months before that. A fascinating insight into what it is to direct a low-budget indie.
Friday 15 January 2010
Reclaiming Life.
I'm gonna slow down on the posting front for a bit. My thirteen year old cousin recently said to me, having seen my DVD's, posters, and lifestyle -- he said, "you're just one big film really, aren't you." That says it all really.
The good thing about being a Director is that, when you complete a film, you have the opportunity to let it do your work for you for a few months. As your film gets accepted at a few festivals - exhibited in various places, and you push it around online, too - things tick over, you appear productive. This, if you're wise, is an opportunity to experience some other things in this wonderful opportunity known as life. If you're dumb, like me, you get straight back to writing and planning your next shoot.
I'm returning to the living, for a while. But I'll be around.
Meanwhile, I'd love to have some guest bloggers - particularly if they have some fun stories about being a Kid In The Front Row, something about the innocent joy of the cinema. So if you write anything, please email me.
Thursday 14 January 2010
Conversation With Myself
I am your inner-critic. Your idea isn't good enough.
I am a good idea. I'm funny & interesting, I'm a great story.
Hmm, NO. There's no way to make it work.
I am on the page now, look. Page 1, the beginning of me.
This isn't going anywhere. It's leading nowhere. No-one will like it.
Hold on - why do you get a bigger say than me? Why are you taking it so seriously? It's just a screenplay, it's not terminal.
Um, what-- because, it is serious!
You seem to be getting smaller. Why are you taking me so seriously? I'm just a good idea.
Because, uh-- what? No, listen to me - you are not a good idea! I am protecting you from failure! I am protecting you from making a fool of yourself!
I am more likely to be less of a failure if I actually get heard. All my brothers and sisters are laying there dead, most of them are only 9 pages. If they were 120 pages, maybe they wouldn't be such failures.
Okay, just write, but be careful. I'm worried about you.
I'm just an idea, I'm just a screenplay. I'll be fine. You need to stop treating things like they are as important and as terrifying as genocide.
Okay, sorry.
Wednesday 13 January 2010
Songs I Am Loving Right Now.
I get really obsessive about certain songs, at certain times. I love music as much as I love films really - but I have no talent for music. Sometimes, I'm going to talk a bit more about music round here. I find music and film very similar; films are about rhythm, good dialogue is liking dancing to great music, and of course - the use of music in film is half of the secret to great films. Likewise, the music I like is very cinematic, I mean -- listening to a Springsteen or Dylan song is like watching a short movie - it's impossible to listen to 'Simple Twist Of Fate' or 'Thunder Road' without beautiful imagery forming in your head.
That I'm stuck here waitin', no longer debatin',
Tired of sittin' and hatin' and makin' these excuses,
For why you're not around, and feeling so useless."
Anyways, here are three songs I'm listening to right now.
U2 - Stuck In A Moment
I only vaguely recognized this song, like I do most U2 songs - I don't really love them, just the obvious songs that everyone loves like 'With Or Without You' and 'Where The Streets Have No Name.'
But I was lucky enough to see them live at Wembley Stadium last year, two nights in a row, and it was this song that really got me. And I think it's better live, in big stadiums, because it's really uplifting, it's really a communal thing. And I think this version gives some indication of how great it can be to see and hear it at a concert.
"I'm not afraid
Of anything in this world
There's nothing you can throw at me
That I haven't already heard
I'm just trying to find
A decent melody
A song that I can sing
In my own company"
Tracey Chapman - Fast Car
I feel like this should always have been my favourite song - but it wasn't. In fact, it's been a song I only kind of vaguely recognized for years and years. And then a few months ago I was in my Dad's car and it came on the radio, and I was like 'wow, who is this? what is this?' My Dad mentioned it was Tracey Chapman. I went home and listened to it again and again and again. There is something about Tracey Chapman, and specifically this song - something that can't be just put down to her voice, or the lyrics - it's that mysterious thing, somewhere between God and genius and luck and something spiritual--- it's just, ugh-- I can't even explain. But why would I want to explain when instead we could all just listen to it? Perfection. This is the best song I know about living.
"Any place is better
Starting from zero got nothing to lose
Maybe we'll make something,
Me myself I got nothing to prove"
Fort Minor - Where'd You Go?
Just amazing, really.
"I want you to know it's a little fucked up,
Tired of sittin' and hatin' and makin' these excuses,
For why you're not around, and feeling so useless."
Subscribe to:
Posts (Atom)