Showing posts with label walter matthau. Show all posts
Showing posts with label walter matthau. Show all posts

Saturday, 20 August 2011

JACK LEMMON and WALTER MATTHAU - Grumpy, Odd, and Loved.

They were a gift. A present from the Gods; the likes of which we'll never see again. If they made a new film together now I would literally sprint to the cinema to see it. In fact, I'd find out where they're shooting the movie and I'd demand a job. Sure, I'd love to direct them, but I'd be happy to get the coffee, shine their shoes, whatever it takes.

Just to be near them. They make my heart and soul fly and soar --- I just wish I could be there, just for a moment. Don't you think that would be magnificent?


I watched 'Out To Sea' tonight -- it's a film that, with any other actors, would be average at best. But with Jack and Walter, every moment is golden. On their own, they're riveting. Together, they transcend. Watching them together is pure joy -- every single frame.

We are lucky that they did so much work together. Especially in the final years of their careers and lives --- 'Out To Sea', 'Grumpy Old Men', 'Grumpier Old Men', 'The Odd Couple 2' - these films weren't masterpieces in any cinematic sense. The plots aren't groundbreaking. Each film is about two men at war with each other-- usually because of personality clashes, and women.

It never seems right that people die, does it? That they just vanish. With film stars, we're lucky. Because they don't have to be alive to make us laugh, cry and smile. That's the thing when you watch these guys -- they're so real and present, but at the same time you feel that sad pang because you know we don't have them anymore.

By the end, the Lemmon/Matthau thing could easily have been a predictable shtick, but somehow they kept the heart. How? Because that's all they had: HEART. Two beautiful souls that fate decided should get into the the business of acting, and somehow they found their way to each other. The fortune cookie that we were dealt was a fabulous one, and this odd couple went on to entertain us for many years.

I crave videos like this. They're aging and they're going deaf and they're forgetting their lines -- but they're amazing. Hilariously funny and more alive than I think I've ever been.



Their definitive collaboration is seen as 'The Odd Couple' - and I totally respect that, it's one of the all-time great comedies. But for me, I can't get enough of them in the comedies they did together towards the end. They were carefree and fun. They brought a warmth, wisdom and ease to what they did which is rare to see in film. The film's glide along effortlessly because you are in the presence of two truly fantastic people.

Jack Lemmon and Walter Matthau are, without question, my favourite on screen duo.

Care to share?

Saturday, 21 August 2010

HANGING UP - Walter Matthau's Perfect Swansong

Angie, did l ever tell you about the time l got a gun from John Wayne?
No.
Pat and I wrote a picture for him called Luck Runs Out.
Oh.
Yeah, he was a very nice guy. They say that he had a very small pecker.... but that didn't keep him from being a real He-Man.

The trailer for 'Hanging Up' would have you believe that the film is a lightweight chick-flick; something for the girl's to sit around watching and laughing as Meg Ryan runs around comically whilst phoning her sisters. This is certainly an element of the movie, but it's only one element, and there is actually a lot more that the film has to offer.

I always think of 'Hanging Up' as a Nora Ephron film, but in fact; it was directed by Diane Keaton. Let's first begin by figuring out who did what:

Originally, it was a book, by Delia Ephron.
The screenplay is by Delia Ephron and Nora Ephron.
It's directed by Diane Keaton, who is also a star of the film.
It's produced by Nora Ephron.
And Executive Produced by Delia Ephron.

So who did what, exactly, and how? We'll never know. Anyway:

Eve (Meg Ryan) has to deal with her Father, Lou (Walter Matthau) who is in hospital, and dying. Her sister's Maddie (Lisa Kudrow) and Georgia (Diane Keaton) are too busy with their self-absorbed lives to deal with the fact their Father is coming to the end of his life. Everything is left to Eve to cope with.

Despite Meg Ryan's character taking the brunt of the responsibility, Lou is always asking after his other daughters; painfully unaware of how they are not there for him. To make things even more complex, Eve's husband is constantly insisting that she should have nothing to do with her Dad because he is a selfish drunk who's caused her a lot of pain.

The film is sad, yet hopeful, complex, yet simple, funny, yet sad again -- in fact; it's very real. It's something that a lot of people will relate to. Meg Ryan shines in the film in one of her best performances-- mixing the adorable comedic style she has made her own, along with some subtle, moving moments.

But the real magic comes from Walter Matthau. This film was released in 2000, the year he died-- which made and makes this film even more poignant. Matthau is absolutely delightful in the film --- playing a role that is hilariously funny, as he obsesses constantly over "John Wayne's pecker;" but is also tinged with sadness as it's clear the character is losing his memory. There are also some very emotional and dramatic scenes that show how capable Matthau was as an actor.

If you've ever had to take on a lot of responsibility when those around you won't take accountability for everything that's going on, then you'll relate to this film. Her sisters don't hear her, her Father keeps forgetting who she is, and her Mother doesn't want anything to do with the situation. This isn't a typical Meg Ryan film, and it isn't a typical Ephron film. It's something personal, a truthful roller-coaster about life, death, and siblings.

I strongly recommend it. There are not enough films like this.

Care to share?