Showing posts with label talent. Show all posts
Showing posts with label talent. Show all posts

Saturday, 10 March 2012

Get The Work Done Before You Arrive

"It takes twenty years to become an overnight success" -Eddie Cantor

The X Factor paradigm got it wrong. They made it about being 'discovered' and instantly succeeding. Sometimes it works, but then you have nothing to fall back on. You get defined by what you are once everyone knows your name. The chance to learn your craft and become an expert comes when you're in the wilderness, when no-one cares about you.

Being discovered isn't what you need. What you need is to become an expert, and you're better off on the outside. Look at sports, we stand in awe of the 19 year old geniuses, but then you find out they started playing football/basketball when they were 4, and it's the only thing they've ever cared about. In sport, you can't skip the hard work if you want to make it and sustain it.

It's a journey. Look at your writing or acting or directing from five years ago. We improve. But remember five years ago when you were desperate to be discovered... Did you deserve it? No way!

Stop worrying about 'making it'. Instead focus on becoming so good that you're unstoppable. Talent is great and you're privileged to have it, but it doesn't mean anything.

Some people stand out. Let's take actors; there are thousands doing the rounds, auditioning and fighting to make it. Very occasionally you meet one who just HAS IT. That's a natural thing, a fluke, luck, who knows. They have that thing that people thought was "special" when they were young, and they believed it and followed their dreams.

That's the easy part. The hard part comes next: putting the work in. Someone with the spark, who couples it with dedication, is irresistible. And I mean dedication to their development, not to 'success'.Talent comes naturally, but expertise is for the select few who have the dedication to achieve it.

When you get 'discovered', whatever that means, make sure you're prepared. When a director is rude to you, or a producer demands you nail the script in one draft, you need the tools to handle it. They come from experience, from learning, from challenging yourself. Even the task of going to an audition can take years to master. But after you've been doing it for ten years you learn how to play the game and you learn how to be yourself.

I am seeing this time and again with my peers. We're reaching a period of accomplishment, based on experience, on putting the years in. Those failed projects, those nightmare meetings, those awful scripts, they MEANT SOMETHING!

The thing you think is your big break probably isn't, but it is part of the journey. Don't look to The X Factor for how the world works, the winners may get famous and make some money but they're ultimately meaningless. You just wish those shows had been about nurturing talent rather than making money.

With success, comes rules and deadlines and personalities that are difficult to navigate. The period prior to success is your playground, a chance to discover who you are and where you want to go. Follow your fascinations, work hard, and become an expert in your niche. You'll be unstoppable. Knowledge is power. Yes, this is an art form, but you can shorten the odds on creating great work by doing the unexpected: you can dedicate yourself to nurturing your own talent.

Care to share?

Friday, 6 May 2011

Talent? No-one Cares

When you were young, you found out you had talent. Some people can put a sentence together better than others, some can sing a nice tune.

You think that's your ticket.

But talent isn't personal. Talent doesn't resonate.

But your personal story does. The tales and tumbles that make you a unique person.

A hundred years from now you're dead. There'll be others who can sing, others who can light a scene or hold a paintbrush.

But none of them have your fingerprints. Your handwriting is your own and when you look out of your window at night you see it in a way that only you can see.

Show us that. We want to know what you feel, and how it hurts you, and how it makes you scream with joy.

Care to share?

Tuesday, 29 March 2011

Your Big Break In The Industry

"There's people around who tell you that they know
The places where they send you, and it's easy to go
They'll zip you up and dress you down
Stand you in a row
But you know you don't have to
You can just say no"
-Big Star

The minute you have talent, they tell you what to do with it, where to go. They say "you could make a living directing commercials," they tell you "you should get your breasts out on screen, that's how you make it", they tell you "you have to give us your script because we're the only people who will make it."

But you get to choose. When you're starting out, you're at your strongest, because you're you. You're doing your thing. And the minute you have something they can strip down and turn into profit, they'll be onto you. And they'll call it your big break.

The big break isn't what you think it is. You shouldn't try to skip the journey you're on. It's like blogging. You guys come here because you like what I do. But the minute I have a sponsored article saying that I love 7-Up, you'll know I've lost that one thing I have going for me. Right now, this blog could end up being anything. Five years from now it could be the best film blog out there, or it could be a specialist blog focusing only on The Apartment, who knows! It's exciting. But if I did a deal with Suite101.com to post their content in exchange for $0.06 per word, you'd all see me differently. And I'd lose the unique thing this blog has, just like yours does. We have ourselves, and who we are, and it's the strongest thing we own. But when you give it away, it's gone.

I'm not talking about taking jobs for the pay cheque. I'm realistic enough to realise that none of us have any money and we need to get paid. But I'm saying, don't give up your dreams, don't sell your babies, just because you're worried about dying. Some idiot producer who wants to give you $50 to buy your screenplay because "it'll get you recognized" is not your journey, neither is starring in some softcore porn film because the director says he has "contacts." You all know this, it's obvious, but I think sometimes we need to remind each other. Commit to doing the work that you're proud of; the work that made you want to do this in the first place. It's hard -- and fifteen years after starting acting you're still playing to tiny theaters in front of nobody and you're still getting rejection letters from production companies. But that's the price your pay for staying true to yourself. A 'big break' lasts for fifteen minutes and a sex tape, but if you create art, it'll live forever.

"We don't know what it can be, we don't know what it will be, we just know that it is cool."
-Mark Zuckerberg in 'The Social Network'

Care to share?

Tuesday, 7 September 2010

What Happens When You're Not Quite Talented Enough?

What happens to you if you're not quite talented enough to do what you want to do? Sure, you read books about Tom Hanks, and Frank Capra and Katharine Hepburn -- and you feel inspired. But what happens when you realise you're not like them? What happens if you've spent your whole life believing you're destined to create magic but, even after your best shot, you create something barely passable?

Sure, I know, the success books say keep trying, and you feel inspired by the book about how David Beckham kept staying late in training to hone his talent. But what if your talent only stems so far? What happens to you then? Sure, you could work hard and make a living in some way -- but what happens to your soul when you realize you don't have the talent you always based your life on?

I know I know, you keep trying, you practice, you persevere. Just like Steve Martin did and Angelina Jolie did and whoever else did. But they had the talent. What happens when your talent is two notches below the amount that you need to TRULY inspire people? Do you realize yourself, or do look for clues in the people around you?

Yep, people told Chaplin he didn't know what he was doing, and people told Sylvester Stallone he didn't have any talent. But what if you really don't know what you're doing and really don't have any talent? We've all seen an upcoming actor or a short film at a festival and thought "Jesus, what the hell was that?" -- but what if that is you? And what if it is you every single time? And what if you really aren't the talent you dreamed you were?

Was the teacher who told me I can't write right? Was the girl who said you're in a world of your own the only one who saw reality? Was the friend who said when will you get a real job aware of something I wasn't?

You put yourself on a big pedestal and you dream that you're Al Pacino. And then eventually you reconsider and think, hey; maybe I'm Matt Le Blanc. But then time goes by and it's not that the world doesn't take to you, but that you give it your all and it means nothing, it does nothing, it is nothing. And you're Joe Mabbutt, or Jenny Hendon or Matt Shipp. You've never heard of them, because they never made it. Not through lack of trying but because they just didn't. quite. have. it.

If you knew, for sure, that you weren't the talent you dreamed of - what would you do?

Care to share?

Monday, 19 October 2009

But is the film any good?

All Directors make bad films. Of course, they don't plan to do it. If you'd asked Kevin Smith at the time, he'd have told you that 'Jersey Girl' was going to be his best ever film. In fact, he's on record as saying that very thing. It's one of the sad facts of life that our favorite Directors will, from time to time, make films like '1941' and 'Elizabethtown'. It's just the way it goes.

The same, of course, is true for upcoming filmmakers. "This is going to be my best one yet!" you tell everybody. And it'd better be, because you've only got about one film left before everyone says "actually, yeah, you really need to get a real job." Even the greatest young film directors are going to go through the same patterns as Kevin Smith, Quentin Tarantino, etc-- there are going to be duds. This can be quite a painful thing, especially when you haven't yet made the masterpiece you're destined to make.

Take comfort in the fact that, whoever your favorite Director is, they've made bad films, apart from Billy Wilder.

Care to share?