The Void

"Sometimes I wonder about my life. I lead a small life. Well, valuable, but small. And sometimes I wonder, do I do it because I like it, or because I haven't been brave? So much of what I see reminds me of something I read in a book, when shouldn't it be the other way around? I don't really want an answer. I just want to send this cosmic question out into the void. So goodnight, dear void."

-Kathleen Kelly, in 'You've Got Mail' 

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The Film I Always Go Back To: You've Got Mail

Today I'm running a blogathon called "The Film I Always Go Back To", - where bloggers write about the film they always find themselves re-visiting after stressful weeks, or messy break-ups, or maybe just because they love it so much. I will be sharing other blogs on this theme over the weekend through the Facebook Fan Page.

I love "You've Got Mail", I've seen it countless times. I've never really blogged about it, apart from the time I compared it to 'Sleepless In Seattle', but as I started to think about this blogathon I set up on the theme of 'The Film I Always Come Back To', it seemed to be the only choice that fit.

I think Nora Ephon is a wonderful director. There's no-one better at creating a warm and welcoming environment for two hours. I don't think any other director could make me enjoy a film about women cooking for two hours, but that's exactly what she did with 'Julie & Julia'.

'You've Got Mail' is about love in the modern age. It was made before Facebook and Twitter, but it's still in the same world. A world where we tweet and update statuses incessantly, and we like to believe it means something, or someone's listening. 'You've Got Mail' is the fantasy; that words over a computer can mean something. They can make people fall in love.

'You've Got Mail' paints a beautiful New York City; autumn leaves and beautiful cafes on the Upper West Side. It's a New York I believe in. It'd be 'cooler' for me to see NYC the way Scorcese does, or even Woody Allen; but the New York I love is the Nora Ephron version.

And I never thought about it until writing this article; but YGM is essentially about a corporate company fighting with an independent local store, which is basically what I blog about every day, maintaining a bit of 'The Shop Around The Corner' in a world dominated by the 'FOX Books' equivalent.

I like that films can be fun and have a sense of joy and romance. This film nails it. Too often films get self-conscious about being romantic, or they make the joy too big, like some daft Will Ferrell flick. 'You've Got Mail' just tells a good story, with engaging characters and memorable dialogue. The conflict between Kathleen Kelly and Joe Fox is played perfectly by Hanks and Meg Ryan; two actors who have done their best since this film to steer clear of their natural talent for romantic comedies. Tom Hanks is masterful in this. He gets the recognition (deservedly) for films like 'Forrest Gump' and 'Saving Private Ryan', but here he has an ease and playfulness that is a pure delight to watch. Nobody can do this the way Hanks does. I just hope he does more of it-- because the smug-I'm-a-good-actor version of Hanks we've got since Da Vinci has been extremely disappointing.

I like rom-coms. And it's great when they're done right. Truth is, the indie films generally do it better (Before Sunrise, In Search Of A Midnight Kiss) but I think when it comes to big budget fare, Nora Ephron is the best there is. There's a lightness and sweetness to her work which we rarely see in film, or the world. And lightness ain't always so bad.

'You've Got Mail' is a delightful, humorous breeze; one of my favourite movies-- every time I watch it I sink into its version of New York. I love it.

If you write a blog and like the idea of this blogathon, please get involved! Write your version of "The Film I Always Go Back To" this weekend! Meanwhile, I also recommend watching "The Shop Around The Corner", the fantastic Ernst Lubitsch film that "You've Got Mail" was based on.

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HANGING UP - Walter Matthau's Perfect Swansong

Angie, did l ever tell you about the time l got a gun from John Wayne?

No.

Pat and I wrote a picture for him called Luck Runs Out.

Oh.

Yeah, he was a very nice guy. They say that he had a very small pecker.... but that didn't keep him from being a real He-Man.

The trailer for 'Hanging Up' would have you believe that the film is a lightweight chick-flick; something for the girl's to sit around watching and laughing as Meg Ryan runs around comically whilst phoning her sisters. This is certainly an element of the movie, but it's only one element, and there is actually a lot more that the film has to offer.

I always think of 'Hanging Up' as a Nora Ephron film, but in fact; it was directed by Diane Keaton. Let's first begin by figuring out who did what:

Originally, it was a book, by Delia Ephron.

The screenplay is by Delia Ephron and Nora Ephron.

It's directed by Diane Keaton, who is also a star of the film.

It's produced by Nora Ephron.

And Executive Produced by Delia Ephron.

So who did what, exactly, and how? We'll never know. Anyway:

Eve (Meg Ryan) has to deal with her Father, Lou (Walter Matthau) who is in hospital, and dying. Her sister's Maddie (Lisa Kudrow) and Georgia (Diane Keaton) are too busy with their self-absorbed lives to deal with the fact their Father is coming to the end of his life. Everything is left to Eve to cope with.

Despite Meg Ryan's character taking the brunt of the responsibility, Lou is always asking after his other daughters; painfully unaware of how they are not there for him. To make things even more complex, Eve's husband is constantly insisting that she should have nothing to do with her Dad because he is a selfish drunk who's caused her a lot of pain.

The film is sad, yet hopeful, complex, yet simple, funny, yet sad again -- in fact; it's very real. It's something that a lot of people will relate to. Meg Ryan shines in the film in one of her best performances-- mixing the adorable comedic style she has made her own, along with some subtle, moving moments.

But the real magic comes from Walter Matthau. This film was released in 2000, the year he died-- which made and makes this film even more poignant. Matthau is absolutely delightful in the film --- playing a role that is hilariously funny, as he obsesses constantly over "John Wayne's pecker;" but is also tinged with sadness as it's clear the character is losing his memory. There are also some very emotional and dramatic scenes that show how capable Matthau was as an actor.

If you've ever had to take on a lot of responsibility when those around you won't take accountability for everything that's going on, then you'll relate to this film. Her sisters don't hear her, her Father keeps forgetting who she is, and her Mother doesn't want anything to do with the situation. This isn't a typical Meg Ryan film, and it isn't a typical Ephron film. It's something personal, a truthful roller-coaster about life, death, and siblings.

I strongly recommend it. There are not enough films like this.

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Nora Ephron - What Are You Doing To Me?

I am currently reading the Nora Ephron book 'Heartburn.' It's a book about a woman who is seven months pregnant who finds out her husband is cheating on her. And it's about cooking. And women stuff. And the cover looks like this --

Now, this is a problem because I am a guy.

And if I read a book like that on the train, people will give me weird looks.

'Why Are You Reading Nora Ephron books?' you might ask. And all I can say is that, Nora Ephron has been pulling this kind of shit on me all my life. Do I want to be watching Meg Ryan prancing around all the time? No. But do I? Yes. 'Sleepless In Seattle,' 'You've Got Mail', 'Hanging Up' - I loved them all.

You see - I secretly think Nora Ephron is one of the best writers alive. There are not many others who could make me relate to a story about a bunch of quarrelling sisters ('Hanging Up') - and whilst I do love a good ole' rom-com, I would rarely call them my favorite films - but I think 'You've Got Mail' is genius. If it was made in the 1950's and had Billy Wilder's name as Director, it probably would have won some oscars.

The book I am reading, 'Heartburn,' was turned into a movie, which I've not yet seen. But the book is great - hilarious, compelling, and true - in a way few books are. I actually really struggle with reading, I find it hard to find voices that resonate with me. I can name about four -- Woody Allen (short stories), Joseph Heller, Roald Dahl, John O'Farrell, some of Nick Hornby, and half of Jack Kerouac's 'On The Road' - that is a bit more than four but that number was only a guess prior to this sentence. Oh, and Anne Frank. There's more truth in her book than anything else I've ever read.

So I have to face the facts - I need to stand up proudly and say. I LOVE NORA EPHRON.

But right now I'm going to go and watch the 'Die Hard' trilogy and some war films....

PS: Today is the last day you can vote for me in the 2010 Weblog Awards, or the Bloggies, as they're also known. I am one of the five nominees in the 'Best Entertainment Blog' category. I would really appreciate it if you voted for me. You can do that here.

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Sleepless In Seattle/You've Got Mail

JOE: Hey…he could be the zipper man.
KATHLEEN: Who's that?
JOE: The zipper man! The, uh…
KATHLEEN: Who is that?
JOE: …he’s the guy out, he… repairs zippers on Amsterdam Avenue.
KATHLEEN: Will you cut it out!
JOE: You'd never have to buy new luggage.

I was out with a friend the other night, and she asked me "which do you prefer, Sleepless In Seattle or You've Got Mail?"

Of course, my answer should have been "Um? whaaa? I prefer DIE HARD! As if I watch chick-flicks!" But that's the problem, I've always had a lot of time for a good rom-com. Don't get me wrong, I don't sit around watching 'The Women' and 'Mamma Mia' - what I mean is, if there's a film about New Yorkers falling in and out of love with each other with some amusing dialogue thrown in, I'm more than happy to watch it. This is my only defence for owning 'One Fine Day.'

But the main question is, of course - Sleepless In Seattle or You've Got Mail? I decided the only way to know for sure would be to watch them back-to-back and then write my opinions. So I did that, and now let me say that for my money, 'You've Got Mail' is by far the superior film; both film-wise, romantically-wise and other-wise, Ephron-wise.

Watching 'Sleepless In Seattle' again I couldn't help but hate Meg Ryan. There really isn't a lot to her character; just that she is pretty desperate to meet Sam Baldwin. As she desperately runs around trying to hunt down the guy she heard on the radio, it just seems desperate and NOT romantic.

Now, Sam Baldwin's (Hanks) story I can really get behind. Tom Hanks is absolutely amazing in this film-- playing a character who truly loves his deceased wife; a man who's trying to keep it together for his son, himself and his sanity. There are many moments where his performance reaches a level of real emotion, real truth. You can believe what he's going through and you feel a lot of empathy for him, you can palpably feel his suffering. But Annie Reed (Ryan) is just an annoying woman taking up screen-time, running around trying to recreate 'An Affair To Remember.'

For me, 'You've Got Mail' takes the elements of 'Sleepless In Seattle' and makes a much stronger film. For one, it's all set in New York; and it's one of the most New Yorkian rom-coms you could hope for. It becomes a character, much like in Woody Allen's 'Manhattan' or in 'Serendipity' -- which I'll talk about a bit later.

'You've Got Mail' manages to be light, funny and entertaining-- yet also, it has real moments of conflict and emotion. The battle in the business lives of Joe Fox and Kathleen Kelly really make for great rom-com storytelling; and Kathleen feeling the loss of her Mother and then going through it again as her shop closes gives Meg the kind of interesting backstory that was majorly missing in 'Sleepless...'

I think many people prefer 'Sleepless...' because it's more about fate. It's more about going to all the lengths needed to find your soulmate. I get that, I appreciate that-- but I think it makes for a boring film. It works in 'Serendipity,' I think, because John Cusack and Kate Beckinsale's characters know each other, and have got that link, y'know, the buzz. In 'Sleepless...' they don't have that. Even at the end when Hanks jumps on a plane to New York.. he doesn't do that to meet the girl, he does it to hunt down his son.

In 'You've Got Mail' though, two people do fall in love with each other. Through their words in their emails, and through the relationship that grows in the latter part of the movie over coffees, walks, and banter. I guess I just prefer that, I prefer that it's about the two characters rather than this airy feeling of fate. And as mentioned before; I think that is handled better in 'Serendipity' -- where their fate is driven by their need to find and be with each other. In 'Sleepless' it's just a desperate loon looking for a guy who's more interested in getting over his wife and looking after his son.

You've Got Mail will go down in film history as a completely average film; but it's one of my favourites. I think Nora Ephron completely nails what a rom-com should be; with two actors in their prime with some playful scenes and great dialogue to help them on their way. Ephron creates a version of New York full of meaning, romance and hope. I also think it's one of Tom Hanks' best performances to date. His natural subtlety and ease is masterful; with echoes of Jimmy Stewart (who was, of course, in 'The Shop Around The Corner,' which YGM was based on) -- he's at his most enjoyable. And unfortunately, we haven't really seen Hanks do fun since -- unless you count the dire 'The Terminal.'

Meg Ryan is far more enjoyable in 'You've Got Mail' -- in fact, she seems to get better as the years go by. I think her performances in 'Hanging Up' and 'In The Land Of The Women' are heartbreakingly truthful-- and I'd recommend you all to check them out (not if you're looking for a rom-com)

"and I knew it. I knew it the very first time I touched her. It was like coming home... only to no home I'd ever known... I was just taking her hand to help her out of a car and I knew. It was like... magic."
-Sam Baldwin, Sleepless In Seattle.
In summary; they're both classics in their own way. On a personal level; I'll go for 'You've Got Mail' every time. I've heard criticism of both films that they're 'not very realistic' -- my feeling of that is that, actually, people are too realistic. We create the world we want. If you want to be more romantic, be so-- the world will deliver.

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