Adventureland reminds me of when I was alive. When the glances meant something. When hanging out was the world. When your heart soared or crumbled on any given day.
Adventureland captures youth and lust and love and dead end jobs perfectly. Takes me back to those days when just as you were about to tell the girl you like her she'd say "oh, I have a boyfriend now" and break your heart.
When you're old and in a dead end job it's a rut. But when you're young, it's the only work you can find. You're all educated and talented and your big brains are confined to small spaces. What do you do when you're stuck in a bad job? You make a community. Hearts fly and hearts fall. And you clock in and you clock out.
You hate your job but that's where it's at. You bitch about the bad pay and the same song they keep playing on the fucking radio and the only reason you stick it out is because of Tuesdays.
Because she works on Tuesdays.
'Adventureland' takes me back to those days, those feelings, those moments. We took chances and stayed up late and had a crowd. Nothing would come between us.
I need 'Adventureland' because those days are gone now. I'm numb. I don't take those chances. We're all grown up. The days of "I'll wait for you after work" are gone. Now it's a Facebook poke and a quick how are you. And you're not even missing out because you just don't care as much anymore.
'Adventureland' reminds you that you still have it in you. The mistakes. The naivety. The romance. The giant ass pandas.
I love this movie.
I talk more about this film here and here
I don't really care how much the latest superhero film took at the box office, although I'd probably know if you asked me. When I watch a film the main thing I am looking for is a good story. I like it when I look up at the big screen and can see a part of me staring back at me. More than anything, I am still looking for Jimmy Stewart and Jack Lemmon and Billy Wilder in every film I see.
Showing posts with label jesse eisenberg. Show all posts
Showing posts with label jesse eisenberg. Show all posts
Thursday, 14 July 2011
Friday, 29 October 2010
ADVENTURELAND Is Still With Me
On Tuesday I saw ADVENTURELAND for the first time. On Wednesday I blogged about it. Now it's a few days later and I'm still thinking about the movie, it's still playing in my mind and unravelling in my thoughts. There are songs in the movie that I love that I haven't heard in years, like "Unsatisfied" by The Replacements, but there are also songs like "Don't Dream It's Over" by Crowded House; a song that I always found annoying. But now I've heard it from a new perspective, filtered through the eyes of 'Adventureland' and now I can't get enough of it.
There is something no screenwriter or director can be taught. It's how to create something that will have the effect that 'Adventureland' is having on me right now. There's no formula for it. And, no doubt, there are people who will think this film sucks, and rightly so-- I'm not saying it's one of the greatest films ever, but maybe it is for me. The films I have been claiming to love recently are THE SOCIAL NETWORK and THE PUFFY CHAIR -- two very different movies, both great in their own way. But, when I think about it, they're just good movies. Very good movies. But they didn't connect with me in the way 'Adventureland' did.
But why? What is it? Is it because the film was set in my formative years? Is it because I can relate to the problems of the characters? Is it because I want the type of connection that Jesse Eisenberg and Kristen Stewart share in the movie? Or is it just because Greg Mottola and his team did such a great job and creating a world I could believe in and get sucked into for two hours?
I have no idea. If I was a film student, maybe I'd have an answer (they always do) - or perhaps if I was a more analytical blogger I'd be able to come up with some theory. But I don't have that, and luckily; I don't want that. I'm happy having this feeling-- a feeling where I'm watching every interview with the cast and crew I can find, and I'm listening to the soundtrack non-stop, and I'm telling every person I know to watch it, and I'm ordering multiple copies of the DVD and I'm going over memories of the movie in my head.
This is exactly WHY I love movies, and it's great to feel it again. As much as the reason I love movies is to get this feeling, the sad fact is that --- it's extremely RARE. But right now, before I ruin it by watching the film thirty times over, it's truly magic; and I am aware again of the awesome power of the cinema. It gets to have this effect, on people. That's something to strive for, someone to hope for; and that's something to be excited about.
There is something no screenwriter or director can be taught. It's how to create something that will have the effect that 'Adventureland' is having on me right now. There's no formula for it. And, no doubt, there are people who will think this film sucks, and rightly so-- I'm not saying it's one of the greatest films ever, but maybe it is for me. The films I have been claiming to love recently are THE SOCIAL NETWORK and THE PUFFY CHAIR -- two very different movies, both great in their own way. But, when I think about it, they're just good movies. Very good movies. But they didn't connect with me in the way 'Adventureland' did.
But why? What is it? Is it because the film was set in my formative years? Is it because I can relate to the problems of the characters? Is it because I want the type of connection that Jesse Eisenberg and Kristen Stewart share in the movie? Or is it just because Greg Mottola and his team did such a great job and creating a world I could believe in and get sucked into for two hours?
I have no idea. If I was a film student, maybe I'd have an answer (they always do) - or perhaps if I was a more analytical blogger I'd be able to come up with some theory. But I don't have that, and luckily; I don't want that. I'm happy having this feeling-- a feeling where I'm watching every interview with the cast and crew I can find, and I'm listening to the soundtrack non-stop, and I'm telling every person I know to watch it, and I'm ordering multiple copies of the DVD and I'm going over memories of the movie in my head.
This is exactly WHY I love movies, and it's great to feel it again. As much as the reason I love movies is to get this feeling, the sad fact is that --- it's extremely RARE. But right now, before I ruin it by watching the film thirty times over, it's truly magic; and I am aware again of the awesome power of the cinema. It gets to have this effect, on people. That's something to strive for, someone to hope for; and that's something to be excited about.
Wednesday, 27 October 2010
ADVENTURELAND Is Something Special
It's two o'clock in the morning. I'm tired and I have a headache. But I had to turn my laptop on and write. I just watched ADVENTURELAND; for the second night in a row. I have no idea what I want to write, I just know that I have to. This is how I know it's a great movie. When you start figuring out clever things to write in your blog midway through a film, then you know it sucks.
'Adventureland' is about being in your teens or in your early twenties, at that stage when you're trying to figure your life out whilst surviving a bullshit job and falling in and out of love. Pretty much as soon as we love movies about these topics we begin to hate them and look for something more meaningful-- just like in real life. We're young people in dead end jobs for our whole lives but we're only really open and honest about it at the beginning -- at the age the characters in this movie are portraying. We spent the rest of life being grown up, pretending we have it figured out, refusing to dance the dance of emotion and love and lust and pain. We're only reminded of how big a part of ourselves these things are when we see a piece of art like 'Adventureland.'
Don't you just love that movies like this exist? That the guy who directed SUPERBAD (Greg Mottola) can follow it up with something so understated and honest. Who'd have thought? And who'd have believed that the girl from TWILIGHT would follow it up with something like this? While we're on the subject, it's important to say: Kristen Stewart is amazing. Everyone seems to hate her now because she's in these big blockbusters and because she doesn't smile and act like a whore every time her agent forces her onto television to do promotion or every time a group of journalists interrupt her holiday abroad to see if she's still with her boyfriend. We seem to hate her for the fact that she just likes to act, just likes to do her job. But she's something special. She's great in INTO THE WILD and IN THE LAND OF THE WOMEN and she does a solid job in TWILIGHT, but it's in films like this one where you really get to see what she's capable of. And what is it she's capable of? Honesty. Subtlety. Humanity. I can't help but watch her and feel like I know her. Or feel like I knew her, like we went to school together. She knows what acting is, she knows what her job is; and she does it with a grace and skill that is rare.
But then, so does Jesse Eisenberg. What I love about him on screen, whether it's in 'Adventureland' or THE SOCIAL NETWORK is that he just knows how to be himself. And of course, actors get criticised for 'always being themselves' but people don't realize how tough that is. Most actors spend their whole careers trying to be someone else because they haven't got a clue how to be themselves. These guys know how to do it and the results are incredible. Watching Eisenberg and Stewart in this movie; we get to really see the characters, we get to really feel something real; and as a result, we get to see ourselves.
You might think you're watching a bunch of young people working at a theme park but what you're really seeing is yourself back when you worked in that store, or at that leisure center or at that bowling alley or wherever the hell it was back when you kept falling in and out of love whilst trying to figure out what the hell you were going to do with your life. This is a movie about you and it's a movie about me. It's a film that dares to be honest and dares to be small.
They struggled to market this movie. It had the 'elements' like the big actors and the hotshot writer/director -- but there was a problem: it had a story, and it had heart. How the fuck do you market something like that? The problem is, you can't. You can't market heart. If a good heart was an easy sell then all the lonely people on dating sites tonight would be out there falling in love. But it's not that easy. Good heart doesn't sell well. It's hard to recognize, and people will misunderstand it and people won't be expecting it. You have to just do it, be it, create it. Heart will find its way eventually. Films like 'Adventureland' sneak up on you when you don't expect it. They are disguised as typical studio comedies and they're generally thrown out in cinemas and swiftly dumped because no-one really knows they exist or they know they exist but have been sold some bullshit by a trailer that made the movie seem like some contrived, typical junk.
But 'Adventureland' exists. And it's a little slice of magic.Thank you, Greg Mottola.
Subscribe to:
Posts (Atom)






