Showing posts with label gender. Show all posts
Showing posts with label gender. Show all posts

Sunday, 16 September 2012

Cinema Is About Hearing From ALL The Voices: The Lack Of Diversity in Hollywood

If you look at the current top 10 films in the USA Box Office, they are primarily written by white American men, aged between 30-50. Out of curiosity, I looked at the stats for the same time last year, and it was exactly the same. Most movies are written by white 35 year old guys who live in LA. Even, 'The Help', a movie primarily about black people, was written and directed by a white fortysomething male. 

And I'm not meaning to start a discussion about institutional racism within the film industry. It's a much debated topic, and I don't know enough about it. I am here as an artist and as a viewer; saying: I'm pretty bored of what's coming out of Hollywood. Would more diversity, writer-wise and director-wise, not make films more interesting? 

Last night, I watched a wonderful South Korean film called "Spring, Summer, Autumn, Winter.. and Spring". It's a film from 2003, about Buddhism, and the journey of a young man learning from a master. It was beautifully shot, thoroughly engaging, and completely different from what I normally watch, and indeed, totally different to my own experience of life. It reminded me of why I love cinema. At it's best, the movies can take us to places we've never been before. It can take us on unexpected journeys in unique ways. 



But just because I enjoyed it, that doesn't mean everyone who watches Ben Stiller movies would enjoy it as well. World Cinema is enjoyed by the passionate few rather than the mainstream. That's fine, but I feel there's definitely room for some cross-over. 

Most films are produced in LA. And I don't mean to claim any of those over-caffeinated 30 something white guys are undeserving of their writing credits. Indeed, they are a demographic that I am a part of -- and for their perseverance and writing skills, they deserve all of the writing gigs they've been a part of.

But everyone else deserves those opportunities too, . and we're not seeing enough from them. Do black people struggle to understand Final Draft? Are women too busy sitting at home watching the new 'Dallas' episodes? Or does Hollywood, --purposefully or not-- favour the stories of one particular demographic over others? I ask this, not as some activist for equal opportunities, but as a film fan who thinks the movies would be better if more people were invited to the party. 

If Hollywood were to re-make 'Spring, Summer, Autumn, Winter... and Spring", it would almost certainly be written by a 36 year old white guy. 

Here's the pitch meeting. In Starbucks. 


JIM STEIN
So like, my idea, like, for this movie -- is that 
we have these Buddhists, and we see their 
inspiring journey. 

BILL
But we want it to be authentic. 

JIM STEIN
Yeah man. Like, I am so into Buddhism right now. 
I read 'The Secret' and I am going on a four day 
retreat next month. 

BILL
Cool.

JIM STEIN
It is cool dude. We should make the movie.

BILL
Cool.

And then the movie gets made. 

Of all the world's wisdom and intrigue; should all of our stories be coming from a select group of American dudes in LA? Isn't there more to life than that? When you think about the power of cinema - it seems strange that so much of what we see comes from a very specific demographic. It's a demographic that grew up on movies. The modern LA writer can talk to you endlessly about their inspirations and influences --- the end result? Most movies are about other movies. It's hardly a surprise that most movies coming out of Hollywood are remakes and reboots; when that's all anybody has experience in --- other movies. 

I think this is why I am spending most of my time watching foreign films right now. They're far more engaging and thoughtful. When I look at the history of cinema; so many of my favourite writers and directors came from more humble beginnings. Ernst Lubitsch, Billy Wilder, Frank Capra, Charlie Chaplin -- all emigrated to the USA; and the pain and complexity of their lives was woven into their work. Chaplin escaping poverty, Wilder escaping Nazi Germany. And THAT is what made their work so beautiful, the stories behind the stories. The sweet and the sour. 


Now we have privileged white dudes. Film school brats and Starbucks. And they're responsible for everything we see in the cinema.

Within diversity is a plethora of stories. I feel we have milked nearly every drop out of the thirtysomething-white-American experience. What else can we learn about what it is to be a human being? Could movies play a larger part in showing us? Is Hollywood even remotely interested in the world outside of Starbucks? 

Care to share?

Friday, 25 November 2011

Gender and The Rom-Com

November 19th-December 19th 2011 is Rom-Com Season at Kid In The Front Row.

Men aren't allowed to like rom-coms. This is the rule. If the girlfriend wants to watch a rom-com then the man can watch it but he has to say "she made me watch it". If the man doesn't have a girlfriend then he needs to say "I watched it so that if I ever get a girlfriend I'll have something to talk about". Men have to watch action films and sports films and films about sport with action in them. Transgendered people have to watch documentaries only.

The rules are bizarre and nobody understands them. Men are not meant to watch rom-coms and if they do they're not meant to admit to it. What happens if you're watching an action film and it starts to get romantic? What if you're watching hardcore porn and they begin to talk about their feelings?

Men get uncomfortable talking about rom-coms. It's like talking about your bowel movements or talking about how often you cut your toenails, it's just not something you ever do. It is customary, when asked about a rom-com, to say "I don't really watch them, to be honest".


If a man does watch a rom-com it is to be assumed that he is a woman, or gay, or that he accidentally sat on the remote control during 'Die Hard'.

Romantic Comedies are not allowed to be in your top 5 movies lists, otherwise you will be outcast by all the other people within your gender. Top 5 lists are allowed to have awkward cult films, and they can have 'I-know-it's-lame-but-I-love-it' films, just as long as they're not romantic. If, when asked about your favorite films, you say you love 'One Fine Day' or 'Ghost' or 'Pretty Woman', you immediately need to take back what you said and replace it with 'Pulp Fiction' or 'Donnie Darko'. Everyone is allowed to say they like 'Donnie Darko', because nobody knows what it's about, which therefore means it's genius and acceptable to the male gender.

If, despite your best efforts, you still watch and enjoy a rom-com. You can get away with it by saying "It wasn't that bad actually". This implies that it was not terrible, but that you did not want to watch it.

Every film ever made has a value in terms of social approval and significance. You must make sure you choose from the appropriate list, otherwise you run the risk of being a free-thinker and individual. If you happen to truly love a rom-com, then you will be told that you're a sheep and that you like dumb rom-coms like everyone else, even though nobody else loves them or is at least not allowed to say they love them because if they do they will be outcast.

If you want to be a man then you must not feel free enough within your gender to watch films that include romance. You must stick within a small perimeter which has in it only action films, sex-comedies and more action films. If you admit to liking romantic films, then you will be excluded from the gender immediately.

Care to share?