Showing posts with label diane keaton. Show all posts
Showing posts with label diane keaton. Show all posts

Saturday, 21 August 2010

HANGING UP - Walter Matthau's Perfect Swansong

Angie, did l ever tell you about the time l got a gun from John Wayne?
No.
Pat and I wrote a picture for him called Luck Runs Out.
Oh.
Yeah, he was a very nice guy. They say that he had a very small pecker.... but that didn't keep him from being a real He-Man.

The trailer for 'Hanging Up' would have you believe that the film is a lightweight chick-flick; something for the girl's to sit around watching and laughing as Meg Ryan runs around comically whilst phoning her sisters. This is certainly an element of the movie, but it's only one element, and there is actually a lot more that the film has to offer.

I always think of 'Hanging Up' as a Nora Ephron film, but in fact; it was directed by Diane Keaton. Let's first begin by figuring out who did what:

Originally, it was a book, by Delia Ephron.
The screenplay is by Delia Ephron and Nora Ephron.
It's directed by Diane Keaton, who is also a star of the film.
It's produced by Nora Ephron.
And Executive Produced by Delia Ephron.

So who did what, exactly, and how? We'll never know. Anyway:

Eve (Meg Ryan) has to deal with her Father, Lou (Walter Matthau) who is in hospital, and dying. Her sister's Maddie (Lisa Kudrow) and Georgia (Diane Keaton) are too busy with their self-absorbed lives to deal with the fact their Father is coming to the end of his life. Everything is left to Eve to cope with.

Despite Meg Ryan's character taking the brunt of the responsibility, Lou is always asking after his other daughters; painfully unaware of how they are not there for him. To make things even more complex, Eve's husband is constantly insisting that she should have nothing to do with her Dad because he is a selfish drunk who's caused her a lot of pain.

The film is sad, yet hopeful, complex, yet simple, funny, yet sad again -- in fact; it's very real. It's something that a lot of people will relate to. Meg Ryan shines in the film in one of her best performances-- mixing the adorable comedic style she has made her own, along with some subtle, moving moments.

But the real magic comes from Walter Matthau. This film was released in 2000, the year he died-- which made and makes this film even more poignant. Matthau is absolutely delightful in the film --- playing a role that is hilariously funny, as he obsesses constantly over "John Wayne's pecker;" but is also tinged with sadness as it's clear the character is losing his memory. There are also some very emotional and dramatic scenes that show how capable Matthau was as an actor.

If you've ever had to take on a lot of responsibility when those around you won't take accountability for everything that's going on, then you'll relate to this film. Her sisters don't hear her, her Father keeps forgetting who she is, and her Mother doesn't want anything to do with the situation. This isn't a typical Meg Ryan film, and it isn't a typical Ephron film. It's something personal, a truthful roller-coaster about life, death, and siblings.

I strongly recommend it. There are not enough films like this.

Care to share?

Friday, 8 May 2009

Don't you just love it when you enjoy a terrible movie?.

I've had a busy few days. As I finally got a night to myself I realised that, more than anything, I just wanted to watch a movie. Of course, being the Kid In The Front Row that's hardly surprising. I went down to my local video store looking to rent a film as nothing in my own collection was really doing it for me.

I picked up 'Mad Money' starring Diane Keaton, Queen Latifah and Katie Holmes. It looked terrible. I took my iPhone out of my pocket and imdb'ed the film. My fears were confirmed. General wisdom was that the film was pretty poor. For some reason though - I wanted to see it. I guess partly because I wanted a film where I didn't have to think and partly because of my love of much of Diane Keaton's past work, to say nothing of my teenage Dawson's Creek obsession with Katie Holmes. So I rented the movie.
And I really enjoyed it! I just sank right into it. It's the story of three women who come to the realisation that being good has never really paid off - so they turn against the system and rob money, from the Federal Bank of which they are all employees. A ridiculous premise. But it worked for me.

And it was just one of those films that, if you're in the right mood for it, it works. If I had paid attention to the online reviews of the film, I never would have watched it.

An even bigger example of this is 'Meet Dave' starring the much ridiculed 'has-been' Eddie Murphy. I have never read or heard any good thing about this film. But when I watched it a few months ago I was in absolute hysterics throughout - I thought it was wonderful. Excellently executed physical comedy and Murphy was great in the role. But if you had listened to the anti-hype around its release; or the magazine and internet reviews when the DVD came about; it was enough to put anyone off of seeing it.

Of course; it's a free world. We're all free to praise movies and we're all free to say how much we hate them. It's a right I use on this very blog. But what I'm realising more and more is how some of the films I have enjoyed the most have come after being almost completely talked out of ever seeing them due to either terrible reviews or bad word of mouth.

I'm thinking you should go rent a movie tonight. Or go add something to your Netflix (LoveFilm in the UK). Make it a film that at some point, even momentarily, you really wanted to see but changed your mind after reading fifty reviews completely ridiculing it. Or, y'know, maybe that lame looking chick-flick staring that actor you like isn't really a chick-flick, they've just marketed it that way and given it a pink cover. It's all marketing and media -- take a risk, forget all about that; and go watch a movie. And not one that has 90% on Rotten Tomatoes. Go find something that slipped by the net, or one that got caught in the net and dumped into the trash. True, it might suck; but you never know, you might find something that says something to you. You might find a film you can relate too. You might find a little gem that got bad reviews because the well-paid corporation-payrolled reviewers couldn't relate to its heart.

Care to share?