Diablo Cody's Female Perspective

When 'Bridesmaids' came out, everyone was talking about how it was going to change the industry. The hype was crazy, and there were articles aplenty with patronising questions, along the lines of "can a woman carry a movie?" and "can women be funny?".

The film industry is male dominated. People often challenge this notion by listing a bunch of films that star women, or by explaining that Kathryn Bigelow won an Oscar for directing 'The Hurt Locker'. These examples prove the point. If I said to you "Name ten great movies that have men in the leading roles," it would be easy, because nearly all films do.

While 'Bridesmaids' got the press coverage, pushing the fact that the cast were all women, it is writer's like Diablo Cody who are doing the real work to show us how we've been missing the voice of an entire gender for most of cinematic history. It's not that 'Young Adult' is a particularly brilliant film, although it is very good. What makes it stand apart from nearly every American film I've ever seen, is how strongly written Charlize Theron's character 'Mavis' is. I feel like I am watching a woman from a woman's point of view, and it's not buried in a 'woman's genre'. This is new territory. It is also worth noting that Jason Reitman directed this, as well as 'Juno'. He is tapping into a reservoir of talent that has, for the most part, been disregarded over the years.

Cody's writing is refreshing and unique. The structure and pacing of the film is expertly crafted. Mavis (Charlize Theron) has a goal, to win back Buddy (Patrick Wilson) -- and that is her (and the film's) only concern. She drives back to the town she grew up in, to win him back, and is remarkably nonplussed about the impact it might have on his marriage or newborn child.

The intriguing thing about the movie is that it's clear that the character's goal is doomed right from the beginning. It's like she's purposefully heading into a car crash. Even though I've never been a woman, nor have I tried to break up a marriage, I relate to her. Why? Because there's something beautifully human about her. A side of humanity we've all been at one time or another. Diablo Cody writes very subtle moments into the film where Mavis shows her vulnerability, where we realise she's not a careless bitch, just human. Just struggling. It occurred to me; I've not seen this too many times before, not with a female lead.

When people speak about the lack of women in leading roles, the comeback from those who disagree is often that "we have enough chick-flicks as it is". The view being, of course, that women just like to watch (and make) "Chick flicks". The intriguing thing about Diablo Cody is that two of her films, "Juno" and "Young Adult" have been about having babies; yet, they've not been predictable or chick-flick-ish at all. You may think that "Young Adult" is not about having a baby -- but when you see the film, there'll be a startling moment towards the end when you realise that it is hugely about that very thing.

"Juno" was her break-out hit, a mini-masterpiece. "Jennifer's Body" was average at best. "Young Adult" was subtle and intriguing. These three films, while not necessarily better or worse than films that would have been made by her male counterparts; do show a unique female voice. They leave us wondering, who else is out there like her? How different could the future of cinema look? We're ready.

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Gender, Male Privilege & The Movies

Women tend to care about issues of gender in film, and the men don't. As men, we get the privilege of doing blog posts with titles like 'The Best Breasts In Hollywood' without really thinking of what we're contributing to, or how we're objectifying women, or how we could be making the most talented smaller breasted/no breasted/three breasted upcoming actress feel completely marginalized. Worse yet, it's incredible to think that we would be talking about breasts at all. After all - when writing about Robert De Niro, I never mention his genitalia.

Having the privilege of being male, it's easy for me to ignore the fact that women don't direct many films. It's even easier for me to cleverly list hundreds of films directed by women to prove that gender inequality is a myth. The hardest thing is to listen, to care, to consider the mere fluke of being born male actually gives me an unearned privilege in this industry.

It's hard for anyone to achieve anything in the movie biz. I know hundreds of men who are struggling to get their 'foot in the door' so to speak, so why should I care that women, also, are struggling to succeed? A fact that us men rarely consider is that nobody will ever compliment us for being the 'first' male to win any kind of directing award. There will never be articles about how many men were lucky enough to be working screenwriters. There will never be a debate about whether or not men can direct action films. When you consider these things, you begin to see the wider problem. It's not that women can't do anything or aren't allowed to do anything-- luckily society has moved forward. But the structure of the film industry, the inner beliefs of most people (men and women) and the way films are marketed all make the problem worse.

I watched Juno today; and whilst many, many people love it and think it was an inspired piece of magic, not many people realize that a lot of it is down to wonderfully talented women. Diablo Cody's razor sharp dialogue and cliche-breaking scenes were proof of her an incredible talent. The characters were something we rarely get to see; a pregnant teenage girl with bundles of intelligence who decides against abortion, a step-Mother who is instantly supportive; who is on the one hand a typical homely woman who loves dogs--- yet who also is fiercely principled and strong.
Character development like this is rare with female roles. Too often, female characters are used to help the male protagonist's story along. It becomes such a default, so ingrained; that young screenwriters unconsciously and consistently write male leads; with women being love interests, or parents, or cute neighbors. That's why it was so refreshing and freeing to see Ellen Page as Juno. She was a woman, but she didn't fall into any stereotype. She was as unique and as interesting a character as you could find-- and she was beautiful and compelling without looking like a model or being made to throw her breasts into a close-up.

The film industry has silently marginalized women in a variety of ways. It has become so normalized that nobody ever seems to notice. It is also very easy for us men to say "the audience don't want loads of Sex & The City's," without seeing how that statement is wrong and prejudice and ignorant on a heap of different levels. As I've said before, there is a missing voice in film, and it's the voice of women.

A problem that occurs when these types of articles are written; is that men get very defensive. We say, 'well actually, there are lots of studio heads who are female,' and 'look, Angelina Jolie just starred in Salt,' but these facts prove the problem, nobody could ever say 'men aren't discriminated against or given less opportunities,' because it would sound ridiculous. This industry is harder for women than for men. We need to start by taking accountability for that. We need to start by being aware of it. That awareness could go a long way.

As men - we can start to look at how we are a part of the problem, and how we can begin to make positive changes. As screenwriters, are the women in our scripts as unique, complex, disturbing, as 'cool' as the male characters? As directors, will we be open to working with a female director of photography? Are we aware that the female make-up artist is an artist and not just someone who throws make-up on a face? As producers, are we aware of the variety of outstanding female directors who have unique talent and vision? As viewers, would we be more interested in seeing more complex, truthful and diverse females on a more consistent basis?

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