Showing posts with label Seven Pounds. Show all posts
Showing posts with label Seven Pounds. Show all posts

Tuesday, 14 February 2012

Seven Pounds / Rails & Ties

It's impossible to just love the films you love. You think you do, but you don't, because there are constant reinforcements and demands placed on you from outside, from society, about what makes a good film. You spend most of your time watching the same crap that everyone else watches; and the questions are constantly demanded of you --- is 'The King's Speech' as great as they said? Is 'Pulp Fiction' a masterpiece? Is 'It's A Wonderful Life' a wonderful movie? 

There are some people who rebel against this. Spend their nights purposely watching Horror B-Movies, or obscure Japanese anime. But it's rarely organic, rarely just a natural interest -- more often, it's a reaction to everyone and everything else. There is a lot of watching films out of duty--- this gets even worse when you work in the industry; you watch 'The Artist' and 'Shame' regardless of whether they interest you. 

In the last two days I've watched "Rails & Ties", a small movie from 2007 starring Kevin Bacon and directed by Alison Eastwood, and I also re-watched "Seven Pounds" starring Will Smith, directed by Gabriele Muccino. 

I love both of these movies. They capture what I love about cinema. 

"Seven Pounds" made a lot of money, but it didn't win a lot of fans. The critics hated it and the public wanted the usual Will Smith they were getting accustomed to seeing every summer. This was not it. It was a risk, that didn't pay off critically, but it did artistically (in my opinion). 

"Rails & Ties" was Alison Eastwood's directorial debut, and yes; she is Clint's daughter. The film is about a train driver whose train collides with a car on the track; killing the woman in it. It was a suicide, but the question remained, could Tom (Kevin Bacon) have slowed down the train to avoid disaster? The woman's son Davey (Miles Heizer) certainly thought so -- and the 10 year old tracked down Tom to confront him about it. Tom's wife Megan (Marcia Gay Harden) is in the final stages of terminal cancer. It's a horrible situation for all; a boy with a dead Mother, a man with a dying wife, and the wife who never had a child, whose husband is pulling away from her. All of this is remarkably poignant. It's a film about three people for whom life has lost meaning. Through the unusual and bizarre circumstances, they find that they need each other. Tom and Megan begin caring for Davey, and hiding the fact from child services (because of course it would be illegal). 



The weirdest thing is that, as a viewer, we believe in what they're doing. It feels right, even though it's hugely against societal norms, and if we heard a case like this in real life, we'd demand they go to jail. That's the one great thing that movies teach us, we never know the real story, we never know people's true intentions, we just stick to societal rules and stereotypes. 

"Seven Pounds" is a beautiful and subtle movie, and shares some similarities with "Rails & Ties". Ben (Will Smith), like Tom, is responsible for some deaths (he got into a car accident while looking at his phone). He decides to heal this wrong by committing suicide, but in a way that helps save seven other lives with his extreme selfless generosity. It seems cheesy, preposterous; and, having seen all the critics reviews, perhaps it is, but it worked for me. 



It's so easy to moan about the film industry, about how good films don't get made any more. These films are evidence that this isn't true; because they're great movies. But then again, perhaps you think they're terrible movies -- which is an even more important answer. Because how can anyone try to make a great movie, when we all interpret them so differently? We all agree on "Casablanca" and "Shawshank Redemption", aside from those, it comes down to personal preference. 

My true honest preferences seem to be for subtle human stories that have integrity, authenticity, and heart, that average around 6.7/10 on IMDB. Can they make films for me? Not intentionally. 

You should watch "Rails & Ties". Even if you don't like it as much as I did, you'll see a great performance from Kevin Bacon. He has a knack for taking unusual and risky roles. I find him so much more interesting than the bigger box office draws. The film also has a wonderful and amazingly upbeat ending -- and it's all achieved by a few looks, a piece of music, and a final shot. Truthfulness and subtlety, such a rarity, but wonderful when you find it. 

Care to share?

Sunday, 14 June 2009

Not a lot slips through the net of Hollywood. But if you're lucky you can sneak in about Seven Pounds or so.

Having the flu has its benefits. It allows you to rent movies guilt free. Nobody is going to be suggesting you should be doing anything else, because you're ill. And when you're ill - you're allowed to watch movies.

My being ill has given me the excuse to basically do nothing for a few days -- but I did summon the energy to go down to the rental store and pick up some films. One of those films was 'Seven Pounds' - a film that I had written off; or had perhaps been forced off by the unrelenting bashing in the media, online, everywhere. But let me say this now; 'Seven Pounds' is one of the more wonderous films I have seen in quite some time.

How did this film slip through the net of Hollywood? It has subtlety, it has restraint, it's heartbreaking - and it's very moving. HOW? How did they manage to get someone in Hollywood to say 'Yes'??? Well for one, 'The Pursuit Of Happiness.' The team of Gabriele Mucino and Will Smith was clearly a golden ticket; having returned in gross quadruple the amount of Sony/Columbia's $55million budget. So if Will and Gabriele had told Columbia that for their next project they wanted to make a web series about an impotent donkey who runs the 100m at the Olympics, they probably would have got a go picture.

Luckily, rather than 'Donkey Gold' (which I claim ownershp of here and now) they came forth with 'Seven Pounds' - a film filled with something that is extremely rare in Hollywood. Namely, a beating heart.

This film had me confused, it had me guessing, it had me thinking, and it had me sinking in. And even though I figured out what was to come, it still had me gripped by the beautiful performances and the crushing complexities of the relationships. It was at some points inspirational, at some points upsetting. It was everything I want a film to be. I felt myself wishing I had written it. I'm a bit worried by the fact I continuously wish I had written the box office flops, butt that's a discussion for another time.
Rotten Tomatoes gives the film 28%, with typical opinions saying things like, "Soppy romance and excruciating piety cling to the film like bindweed, summoning the ghost of sobfest Pay It Forward, with the divine parallels of self-sacrifice taken to extremes of righteous absurdity." and "The worst movie ever to star Will Smith, this is a morbid drama which is meant to reduce its audience to tears of empathy, but reduced me to groans and helpless laughter."

I'll be honest, I didn't even know this word, mawkish, until just now. 'Characterized by sickly sentimentality' is what dictionary.com tells me. It seems like a lot of reviewers have jumped on the 'mawkish' bandwagon. But for me; it seems more likely that the people who found it overly sentimental or, worse, funny - are people who are not as in touch with their emotions as they might think. Some people just can't let a film bleed into them. For those people, we make 'Hancock'.

What's strange to me is that I feel this might just be a subtle masterpiece. But it's not the type of thing audiences want, or what they've become accustomed too. They say 'sentimental' like it's a bad thing. So what now? Should we settle for Will Smith saying 'Mothafucker!' and get Rosario Dawson getting her tits out for a glorious sex scene whilst Smith shoots a few bad guys; meanwhile Muccino can replace his beating heart with plain beatings; as Will Smith hits a few people and shoots a few others. The sad thing is, if Smith and Mucino work together again; they'll probably have too. Because after the long haul in cinemas, 'Seven Pounds' just about scraped in enough money to cover its budget. Which means that now when the team go to Columbia for money, they'll say "Maybe, we'll see. Does Dawson do nudity? Maybe We can get Anna Faris for the role. Maybe Will Ferrell is free too. We can put in some roller-blades."
Go rent 'Seven Pounds'. Rosario Dawson gives a stunningly beautiful performance; and Will Smith is as good as he's ever been.

Care to share?